George Washington is a statue by the French sculptor Jean-Antoine Houdon from the late 18th century. Based on a life mask and other measurements of Founding Father and first American president George Washington taken by Houdon, it is considered one of the most accurate depictions of the subject. The original sculpture is located in the rotunda of the Virginia State Capitol in Richmond, Virginia, and it has been copied extensively, with one copy standing in the United States Capitol rotunda. The date given for the sculpture varies. It was commissioned by the Virginia General Assembly in 1784, begun in 1785, signed "1788", completed in 1791 or 1792, and delivered in 1796.
Description The original statue is carved from Carrara marble, weighing 18 tons. It depicts a standing life-sized Washington. In his right hand is a cane, his left arm rests on a fasces on which is slung his cape and sword, and at the back is a plow. He is shown wearing his military uniform, as Washington wished to be depicted in contemporary attire, rather than that of antiquity popular in Neo-classical sculpture. With its selection of objects both civilian (the plow and cane) and military (the fasces, sword, and uniform), the statue has been interpreted as invoking the imagery and ideal of an Ancient Roman dictator, Cincinnatus, with whom Washington has been compared in his decision to retire from public life following the Revolutionary War. Washington was elected president of the Society of the Cincinnati in 1783. At the time of the statue's commission, Washington had not yet served in the Constitutional Convention and would not become President of the United States until 1789. Chief Justice John Marshall, a contemporary of Washington's said of the work, "Nothing in bronze or stone could be a more perfect image than this statue of the living Washington."
Houdon original
In 1784, the Virginia General Assembly commissioned a statue of George Washington "to be of the finest marble and the best workmanship," necessitating a European craftsman. The Governor of Virginia gave the responsibility of selecting the artist to Thomas Jefferson, then ambassador to France, who together with Benjamin Franklin recommended that Jean-Antoine Houdon, the most famous sculptor of the day, execute the work. Unsatisfied to work from a drawing of Washington by Charles Willson Peale sent for the project, and lured by a potential commission for an equestrian monument by the Congress of the Confederation, Houdon agreed to travel to the United States to work directly from Washington. His voyage was conditional on his life being insured for the trip, asking "that ten thousand livres be paid to his family should he die during the voyage". On July 28, 1785, (or, July 22, 1785) Houdon sailed with Benjamin Franklin and "two of his workmen" from Southampton, England, arriving in Philadelphia, Pennsylvania on September 14. In early October 1785, Houdon along with three assistants stayed at Washington's plantation Mount Vernon, taking detailed measurements of Washington's arms, legs, hands and chest and making a life mask of his face. By December, Houdon had returned to France. Though inscribed with the date "1788", it was completed in France in 1791 or 1792 (depending on the source). It was finally delivered to Richmond in 1796 and placed in the rotunda on May 14, 1796. Various explanations for the delay in its delivery have been given, including the French Revolution and untimely payments to Houdon, though most sources agree that the continued construction of the new Virginia State Capitol prevented its installation until the time it arrived. The equestrian monument that originally attracted Houdon to America was never commissioned. The 1783 resolution authorizing such a statue would eventually be fulfilled in 1860 when Clark Mills's equestrian statue of George Washington was installed at Washington Circle. In the early 21st century the statue, together with the life mask and bust created by Houdon during the design process, were used as part of a forensic reconstruction of George Washington at various ages undertaken by Mount Vernon.
Copies Beginning in the 19th century, numerous copies of the statue have been made in bronze and plaster, with molds often made directly from the original.
Hubard casts Following the destruction of a statue of Washington created by Antonio Canova when the North Carolina State House burned in 1831, there was a fear that a similar fate might befall Houdon's statue. During the 1850s, the Virginia General Assembly authorized the casting of 11 bronze copies of the monument. Six bronzes were produced by the foundry of Richmond artist William James Hubard. Known casts from the Hubard foundry are located at:
Virginia Military Institute in Lexington, Virginia, unveiled in 1856. After the occupation of Lexington in the American Civil War, it was temporarily relocated to Wheeling, West Virginia, and returned in 1866. North Carolina State Capitol, in 1857. It was the first monument placed on the new capitol's grounds, designed to replace the destroyed Canova statue. South Carolina State House grounds in Columbia, South Carolina, 1853, and installed in 1858 Another traveled around a bit, finally finding a home in Lafayette Park, St. Louis, Missouri in 1914 Rotunda of Alumni Hall at Miami University, Oxford, Ohio New York City Hall, cast 1857, purchased 1884 A plaster cast by Hubard, once located in the U.S. Capitol, was moved in 1950 to the Smithsonian American Art Museum, and in 2007 transferred to the Jamestown-Yorktown Foundation in Virginia.
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