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Stereopsis

Stereopsis is a science topic covered in the lgStudy science library. This page brings together a partial reference excerpt, illustrations, worked examples, real-world applications and a short study plan, so you can understand Stereopsis rather than just read about it. In short: In the science of visual perception, stereopsis is the sensation that objects in space extend into depth, and that objects have different distances from each other. This sensation is much stronger than the suggestion of depth that is created by two-dimensional perspective.

Stereopsis — main illustration
Stereopsis — illustration

Key takeaways

  • Stereopsis belongs to science; place it in that map before memorising details.
  • Learn the definition first, then one example that makes the definition concrete.
  • Connect Stereopsis to a quantity you can measure, compute or draw — that is where exam questions come from.
  • Reproduce the core statement of Stereopsis from memory before moving on to harder problems.

Reference excerpt

In the science of visual perception, stereopsis is the sensation that objects in space extend into depth, and that objects have different distances from each other. This sensation is much stronger than the suggestion of depth that is created by two-dimensional perspective. In humans, at least two mechanisms produce the sensation of stereopsis: binocular depth vision and (monocular) motion vision. In binocular depth vision, the sensation arises from processing differences in retinal images resulting from the two eyes looking from different, but similar, directions (binocular disparity). In motion vision, the sensation arises from processing motion information when the observer moves (e.g. optical flow, parallax). The sensation of stereopsis is similar in both cases. In research on depth vision, the term stereopsis is primarily used for binocular depth vision and not for the sensation of depth resulting from motion vision. Sometimes the term "relative depth" is used. This term emphasizes that it refers not to the distance to the observer, but to the mutual depth relationships of the perceived objects. If the meaning is clear from the context, the single word "depth" is also used instead of "relative depth." The word stereopsis comes from Greek stereós 'solid' and ópsis 'appearance, sight'. Together, these indicate seeing the outside of three-dimensional, "solid" objects. Binocular depth vision comes in two qualities: coarse stereopsis and fine stereopsis. Fine stereopsis plays a role in the recognition of shapes and objects, and coarse stereopsis in spatial localization.

Summary of research Research into binocular depth vision begins with Charles Wheatstone, who was the first to make a stereoscope. At the end of the 19th century, he was the first to demonstrate that horizontal disparity of vertical lines is sufficient to evoke a sensation of depth. Bela Julesz showed in the 20th century that the sensation also occurs with dots (random dot stereogram) and that depth vision precedes the perception of forms. Jodi Krol showed around the same time that a light transition (edge) is necessary, but that two corresponding edges of opposite contrast do not give a depth sensation. He also found that the depth of the surfaces between these edges is an interpretation. The left and right visual directions should be stimulated at approximately the same time, but this does not have to happen at exactly the same time. This is illustrated by the Puflrich illusion. Kenneth Ogle (1950) found that the quality of depth perception differs for small and large disparities and on this basis distinguishes different types of stereopsis. It is generally accepted that in the absence of a sensation of stereopsis the perceived image is usually seen in the plane of the horopter. John Foley (1972) describes that in exceptional cases the image can also appear slightly behind or in front of the horopter. Jodi Krol (1982) shows that the latter happens when the eyes are unconsciously directed slightly in front of or behind the intended fixation point due to certain reflexes and the fixation point is therefore not on the horopter. Finally, nerve cells have been found in the visual cortex that are tuned to a certain disparity. These cells form the basis for neural models for binocular depth vision and for the solution of the correspondence problem to be discussed. These cells are part of two neurophysiological mechanisms that are specialized in shape and object recognition and in spatial localization, respectively.

Binocular disparity

When attention is directed to a point F in space, automatic eye movements are performed, causing the eye to rotate and point F is mapped onto the point of the eye with which it can see most sharply, the fovea. The direction in which the eye then looks is called the principle ocular direction. Every other point in space is seen by the eye in a certain direction that can be expressed as the angle that this direction makes with the principle direction. This is called visual direction or simply direction. The directions in which each eye sees the same object are sometimes the same, but usually not. The difference in directions is called disparity. The separate article on directional vision explains how the brain combines the directions that each eye sees into a combined image with single images, double images and fused images that are apparently seen from a point in the middle between both eyes (cyclopean eye).

Horizontal disparity

The horizontal distance of approximately 6.5 cm between the two eyes ensures that points in space that are at different depths relative to the fixation point have a horizontal difference in direction. This difference is called horizontal disparity and is expressed as the difference between the angles α and β in the figure. In addition to horizontal disparity, there is also vertical disparity. This term indicates a vertical disalignment between the two eyes which can be caused by vertical eye movement or tilting the head. The latter is usually partially or completely corrected with automatically performed eye movements. Vertical disparities can also evoke a sense of depth in some cases. The terms horizontal and vertical disparity only make sense when the observer is upright. Another term that is sometimes used and that better describes the load is binocular disparity. Binocular disparity has many similarities with motion parallax and is therefore sometimes also called binocular parallax. Motion parallax also evokes a depth sensation, but it requires the observer to move or the observed objects to move relative to each other. Under neurophysiological mechanisms it can be read that motion parallax is possibly processed in the same system as coarse stereopsis.

Horopter

Points at the same depth as the fixation point lie on a circle through both eyes and the fixation point. This circle is called the horopter. Points on this circle project onto corresponding points in both eyes, i.e. onto points that look in the same direction in the left and right eye. We perceive the horopter as a kind of screen on which we see the world.

Crossed disparity The directions in both eyes of a point C that is closer than the horopter are seen crossed on this screen: the direction in which the direction of the left eye is seen is to the right of the direction of the right eye. This is called crossed disparity or negative disparity.

… excerpt ends here. Continue reading the full article.

Illustrations

Stereopsis: Stereopsis caused by alternating stereo images. If the two images were viewed side by side in a stereoscope, the same 3D image would be perceived, but without motion.
Stereopsis caused by alternating stereo images. If the two images were viewed side by side in a stereoscope, the same 3D image would be perceived, but without motion.
Stereopsis: Principal and visual direction
Principal and visual direction
Stereopsis: Horopter.
Horopter.
Stereopsis: Disparity. Point C, closer than the horopter, has crossed disparity (-). Point P, further away has parallel disparity (+).
Disparity. Point C, closer than the horopter, has crossed disparity (-). Point P, further away has parallel disparity (+).
Stereopsis: Wheatstone's line stereogram
Wheatstone's line stereogram

Worked examples

Example 1 — a first encounter with Stereopsis

Start with the simplest possible case. Write down what Stereopsis claims or describes in one sentence, then invent the smallest concrete situation in which that sentence is true. In science, the smallest case is usually a single object, a single equation or a single measurement. Check that every symbol or term in your sentence has a meaning in that case.

Example 2 — changing one variable

Take the situation from Example 1 and change exactly one quantity: double it, halve it, or set it to zero. Predict what should happen to Stereopsis before you calculate. Comparing your prediction with the result is the fastest way to find out whether you understand the idea or only the words.

Example 3 — an exam-style question

Typical questions about Stereopsis ask you to (a) state it precisely, (b) apply it to given data, and (c) explain a limitation. Practise writing all three answers in under five minutes; the third part is what separates a full-mark answer from an average one.

Applications of Stereopsis

In research
Stereopsis appears in science research whenever the underlying quantities have to be modelled precisely. Papers usually cite it as a starting assumption and then explore where it breaks down.
In technology and industry
Engineering practice reuses Stereopsis in design rules, simulations and safety margins. Knowing the idea lets you read a specification sheet and understand why the numbers look the way they do.
In the classroom
Stereopsis is common in secondary-school and first-year university syllabi. It links to neighbouring topics 3D imaging, Stereoscopy, Vision, so understanding it makes those chapters shorter.
In everyday life
Look for Stereopsis outside the textbook — in sport, cooking, traffic, electronics or the sky above you. An example you found yourself is remembered far longer than one you were given.
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How to study Stereopsis in 20 minutes

  1. Read the reference excerpt below once, without taking notes.
  2. Close the page and write down what Stereopsis means in your own words.
  3. Compare your version with the excerpt and mark what you missed.
  4. Work through the three examples above with pen and paper.
  5. Explain Stereopsis out loud to somebody else — or to Teacher Smith in the lgStudy chat.

Frequently asked questions

What is Stereopsis in simple terms?

In the science of visual perception, stereopsis is the sensation that objects in space extend into depth, and that objects have different distances from each other. This sensation is much stronger than the suggestion of depth that is created by two-dimensional perspective.

Why does Stereopsis matter?

Because it connects several science ideas at once: it gives you a definition you can apply, a quantity you can calculate, and a way to check whether a result is plausible.

How should I study Stereopsis?

Read the excerpt, restate it from memory, then work through the examples and applications listed on this page. The five-step study plan above takes about twenty minutes.

What does this page cover?

It gives you a compact reference excerpt plus original lgStudy explanations, examples, applications and study material on Stereopsis.

Tags

  • 3D imaging
  • Stereoscopy
  • Vision

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