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Subverted rhyme

Subverted rhyme is a science topic covered in the lgStudy science library. This page brings together a partial reference excerpt, illustrations, worked examples, real-world applications and a short study plan, so you can understand Subverted rhyme rather than just read about it. In short: A subverted rhyme, teasing rhyme or mind rhyme is the suggestion of a rhyme which is left unsaid and must be inferred by the listener. A rhyme may be subverted either by stopping short, or by replacing the expected word with another (which may have the same rhyme or not).

Key takeaways

  • Subverted rhyme belongs to science; place it in that map before memorising details.
  • Learn the definition first, then one example that makes the definition concrete.
  • Connect Subverted rhyme to a quantity you can measure, compute or draw — that is where exam questions come from.
  • Reproduce the core statement of Subverted rhyme from memory before moving on to harder problems.

Reference excerpt

A subverted rhyme, teasing rhyme or mind rhyme is the suggestion of a rhyme which is left unsaid and must be inferred by the listener. A rhyme may be subverted either by stopping short, or by replacing the expected word with another (which may have the same rhyme or not). Teasing rhyme is a form of innuendo, where the unsaid word is taboo or completes a sentence indelicately. An example, in the context of cheerleading:

where the presumption is that the listener anticipates the chant ending with "ass" rather than "other knee". Subverted rhyme is often a form of wordplay. The implied rhyme is inferable only from the context. This contrasts with rhyming slang from which the rhyming portion has been clipped, which is part of the lexicon. (An example is dogs, meaning "feet", a clipping of rhyming dog's meat.)

Examples A traditional example is the song "Sweet Violets", which begins:

Alan Bold described the 20th century anonymous bawdy poem about the "young man of Brighton Pier" as "perhaps the finest of the teasing-rhyme variety of bawdy poem". An extract will illustrate the technique:

"Something You Can Do with Your Finger" from South Park uses enjambment to replace taboo words with non-taboo phrases with the same initial syllable. For example shit>shih-tzu and meat>meeting, in the following fragment, each start a new sentence instead of finishing the old one:

Similarly, the childhood rhyme "Miss Suzie" ends each section with what sounds like a taboo word, only to continue with a more innocent word.

Another example is the 1985 Bowser and Blue song "Polka-Dot Undies", which begins:

The 2003 song "Mr. Brightside" by The Killers transitions from the verses to the chorus with a mind rhyme of dick:

In the 2001 movie Shrek, the song Welcome to Duloc sang by the Duloc dolls greeting Shrek uses a subverted rhyme with a mind rhyme of ass

The novelty song "Shaving Cream" by Benny Bell uses a mind rhyme in each verse, for example:

A more wholesome example of a subverted rhyme can be found in the lyrics of "In Summer" from Disney's 2013 film Frozen. In the song, Olaf, an anthropomorphic snowman, optimistically fantasizes about warm summer weather. Children can infer that the last line should end with puddle, as it completes the rhyme with cuddle (and is what a snowman actually becomes in summer). In the film, this lyric is accompanied by a visual cue of Olaf pausing, then jumping over a puddle.

Occasionally, the presence (or absence) of a subverted rhyme can be cause for discussion or debate as to the "true" meaning of a song. For example, in Taylor Swift's track "The Very First Night", the lyrics

and

have led some to theorise that the clearly-enunciated pronunciation of 'you', which subverts the expected rhyme of an unstressed 'ya', is intentional hint towards an alternative subverted rhyme with the pronoun 'her'. This would change the assumed gender of the song's romantic love interest, making it a controversial subject.

History Teasing rhymes have been popular since the 17th century. Though fairly rare in canonical literature, examples of mind rhyme can be found in the work of William Shakespeare, Emily Dickinson, Marianne Moore and others. In Lewis Carroll's "'Tis the Voice of the Lobster" it is generally assumed that the last words of the interrupted poem could be supplied by the reader as "— eating the Owl".

See also Crambo Mondegreen Rhyming slang Roses Are Red

References Abrams, M. H., A Glossary of Literary Terms, 2004.

Notes

Worked examples

Example 1 — a first encounter with Subverted rhyme

Start with the simplest possible case. Write down what Subverted rhyme claims or describes in one sentence, then invent the smallest concrete situation in which that sentence is true. In science, the smallest case is usually a single object, a single equation or a single measurement. Check that every symbol or term in your sentence has a meaning in that case.

Example 2 — changing one variable

Take the situation from Example 1 and change exactly one quantity: double it, halve it, or set it to zero. Predict what should happen to Subverted rhyme before you calculate. Comparing your prediction with the result is the fastest way to find out whether you understand the idea or only the words.

Example 3 — an exam-style question

Typical questions about Subverted rhyme ask you to (a) state it precisely, (b) apply it to given data, and (c) explain a limitation. Practise writing all three answers in under five minutes; the third part is what separates a full-mark answer from an average one.

Applications of Subverted rhyme

In research
Subverted rhyme appears in science research whenever the underlying quantities have to be modelled precisely. Papers usually cite it as a starting assumption and then explore where it breaks down.
In technology and industry
Engineering practice reuses Subverted rhyme in design rules, simulations and safety margins. Knowing the idea lets you read a specification sheet and understand why the numbers look the way they do.
In the classroom
Subverted rhyme is common in secondary-school and first-year university syllabi. It links to neighbouring topics Humorous poems, Off-color humor, Rhyme, so understanding it makes those chapters shorter.
In everyday life
Look for Subverted rhyme outside the textbook — in sport, cooking, traffic, electronics or the sky above you. An example you found yourself is remembered far longer than one you were given.
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How to study Subverted rhyme in 20 minutes

  1. Read the reference excerpt below once, without taking notes.
  2. Close the page and write down what Subverted rhyme means in your own words.
  3. Compare your version with the excerpt and mark what you missed.
  4. Work through the three examples above with pen and paper.
  5. Explain Subverted rhyme out loud to somebody else — or to Teacher Smith in the lgStudy chat.

Frequently asked questions

What is Subverted rhyme in simple terms?

A subverted rhyme, teasing rhyme or mind rhyme is the suggestion of a rhyme which is left unsaid and must be inferred by the listener. A rhyme may be subverted either by stopping short, or by replacing the expected word with another (which may have the same rhyme or not).

Why does Subverted rhyme matter?

Because it connects several science ideas at once: it gives you a definition you can apply, a quantity you can calculate, and a way to check whether a result is plausible.

How should I study Subverted rhyme?

Read the excerpt, restate it from memory, then work through the examples and applications listed on this page. The five-step study plan above takes about twenty minutes.

What does this page cover?

It gives you a compact reference excerpt plus original lgStudy explanations, examples, applications and study material on Subverted rhyme.

Tags

  • Humorous poems
  • Off-color humor
  • Rhyme
  • Wordplay

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