The Sun Temple of Modhera is a Hindu temple dedicated to the solar deity Surya, located in the village of Modhera in Mehsana district, Gujarat, India. The temple is situated on the bank of the river Pushpavati, and was constructed in the 11th century during the reign of Bhima I and Karna I of the Chaulukya dynasty. The temple is no longer used for worship and is a protected monument maintained by the Archaeological Survey of India. The temple complex has three components: Gūḍhamanḍapa, the shrine hall; Sabhamanḍapa, the assembly hall and Kunḍa, the reservoir. The halls are noted for the intricately carved exteriors and decorated pillars. The tiered steps of the reservoir lead to the bottom and numerous small shrines.
History The shrine proper of the Sun Temple was built during the reign of Bhima I of Chaulukya dynasty. Earlier, during 1024–1025, Mahmud of Ghazni had invaded Bhima's kingdom, and a force of around 20,000 soldiers had unsuccessfully tried to check his advance at Modhera. Historian A. K. Majumdar theorizes that the Sun Temple might have been built to commemorate this defense. On a block in the western wall of the cella, there is an upside-down inscription "Vikram Samvat 1083" carelessly incised in Devnagari script which corresponds to 1026–1027 CE. No other date is found. As the inscription is upside down, it evidences the destruction and reconstruction of the cella. Due to the position of the inscription, it is not firmly considered as the date of construction. On stylistic grounds, it is known that the Kunda with its corner shrines was built earlier at the beginning of the 11th century. The inscription is considered as the date of destruction by Ghazni instead of the construction. Soon after Bhima had returned to power, the temple proper, the miniature and the niche shrines in the tank were built shortly after 1026 CE. The dancing hall was added later, in the third quarter of the 11th century along with the gateways, the porch of the temple proper and the doorframes of the temple and the cella; during the reign of the Karna. The temple is built on 23.6° latitude (approximately near Tropic of Cancer). The place was later known as Sita ni Chauri and Ramkund locally. No worship is offered here now. The temple is the Monument of National Importance and is maintained by the Archeological Survey of India. It was added to the tentative list of the UNESCO World Heritage Committee in December 2022.
Architecture The temple complex is constructed in the Māru-Gurjara architectural style, also known as the Chaulukya style. It comprises three axially aligned components: the sanctum (garbhagriha) enclosed within a hall (guḍhamaṇḍapa), an outer assembly hall (sabhamaṇḍapa or raṅgamaṇḍapa), and a sacred stepped reservoir (kuṇḍa). The Sabhamandapa is not in continuation with Gudhamandapa but is placed little away as a separate structure. Both are built on a paved platform. Their roofs collapsed long ago leaving behind a few lower-most courses. Both roofs are 15' 9" in diameter but are constructed differently.
Gudhamandapa and Garbhagriha
The gudhamandapa measures approximately 51 feet 9 inches by 25 feet 8 inches and is nearly equally divided between the gudhamandapa (the closed hall) and the garbhagriha (the sanctum or shrine proper). Both sections are rectangular in plan, featuring a single projection on each of the shorter sides and two projections on each of the longer sides. The projections on the shorter sides form the entrance and the rear of the shrine. Each of the three projections on the outer walls of the gudhamanḍapa originally contained a window, while the eastern projection featured the main doorway. These windows were fitted with intricately carved perforated stone screens, known as jalis; the northern window survives in a ruined condition, and the southern one is missing. A pradaksinapatha (circumambulatory passage) is formed between the walls of the garbhagrha and the outer walls of the gudhamandapa. The roof of this passage is supported by stone slabs carved with rosette motifs. The original shikhara (superstructure) above the sanctum no longer exists.
Garbhagriha The Garbhagriha (or sanctum sanctorum) is a square structure with interior dimensions measuring approximately 11 feet on each side. It serves as the central shrine of the temple. The Garbhagriha contains two distinct cells: an upper and a lower cell. The floor of the upper cell has collapsed, and it is believed that this area once housed the image of a deity. The seat of the image is now located in a pit beneath the collapsed floor. The lower cell is thought to have been used for storage purposes. Internally, the walls of the shrine are plain, while the outer wall is ornately decorated. The doorway is adorned with carved figures of a seated Surya (Sun God), Ganesha and Kubera accompanied by dancers and amorous couples in the surrounding panels. However, these figures have suffered significant damage, and the images on the door-lintel are completely destroyed. Architecturally, the Garbhagriha is aligned in such a way that the first rays of the rising sun illuminate the image of Surya during the solar equinoxes. On the summer solstice, the sun shines directly above the temple at noon, casting no shadow.
Gudhamandapa
Base moldings The outer walls of the shrine are ornately decorated. The base and walls of both the shrine and the hall are divided into several horizontal sections, each featuring unique carvings. The base, or pitha (also known as adhisthana), begins with two square moldings called bhat, followed by a cyma recta carving—convex at the bottom and concave at the top. It is followed by padma or padmaka, the molding shaped like an inverted lotus. Above this is the antarita, a fillet or astragal with a sharp edge between two recessed sections. This is followed by patta, which features a thin molding called chhaja at its lower edge. The next is another chhaja separated by neck, alinga. The broad band that follows, known as patti, is the gajathara, which is carved with elephants. The subsequent band, narathara, contains figures of humans in various postures.
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