The sunstone (Icelandic: sólarsteinn) is a type of mineral attested in several 13th–14th-century written sources in Iceland, one of which describes its use to locate the Sun in a completely overcast sky. Sunstones are also mentioned in the inventories of several churches and one monastery in 14th–15th-century Iceland and Germany. A hypothesis exists that the sunstone had polarizing attributes and was used as a navigational instrument by seafarers in the Viking Age. A stone found in 2002 off Alderney, in the wreck of a 16th-century warship, may lend evidence of the existence of sunstones as navigational devices.
Sources One medieval source in Iceland, Rauðúlfs þáttr, mentions the sunstone as a mineral by means of which the sun could be located in an overcast and snowy sky by holding it up and noting where it emitted, reflected or transmitted light (hvar geislaði úr honum). Sunstones are also mentioned in Hrafns saga Sveinbjarnarsonar (13th century) and in church and monastic inventories (14th–15th century) without discussing their attributes. The sunstone texts of Hrafns saga Sveinbjarnarsonar were copied to all four versions of the medieval hagiography Guðmundar saga góða. Thorsteinn Vilhjalmsson translates the Icelandic description in Rauðúlfs þáttr of the use of the sunstone as follows:
Allegorical nature of the medieval texts Two of the original medieval texts on the sunstone are allegorical. Hrafns saga Sveinbjarnarsonar contains a burst of purely allegorical material associated with Hrafn's slaying. This involves a celestial vision with three highly cosmological knights, recalling the horsemen of the Apocalypse. It has been suggested that the horsemen of Hrafns saga contain allegorical allusions to the winter solstice and the four elements as an omen of Hrafn's death, where the sunstone also appears. "Rauðúlfs þáttr", a tale of Saint Olav, and the only medieval source mentioning how the sunstone was used, is a thoroughly allegorical work. A round and rotating house visited by Olav has been interpreted as a model of the cosmos and the human soul, as well as a prefiguration of the Church. The intention of the author was to achieve an apotheosis of St. Olav, through placing him in the symbolic seat of Christ. The house belongs to the genre of "abodes of the sun," which seemed widespread in medieval literature. St. Olav used the sunstone to confirm the time reckoning skill of his host right after leaving this allegorical house. He held the sunstone up against the snowy and completely overcast sky and noted where light was emitted from it (the Icelandic words used do not make it clear whether the light was reflected by the stone, emitted by it or transmitted through it). It has been suggested that in "Rauðúlfs þáttr" the sunstone was used as a symbol of the Virgin, following a widespread tradition in which the virgin birth of Christ is compared with glass letting a ray of the sun through. The allegories of the above-mentioned texts exploit the symbolic value of the sunstone, but the church and monastic inventories, however, show that something called sunstones did exist as physical objects in Iceland. The presence of the sunstone in "Rauðúlfs þáttr" may be entirely symbolic but its use is described in sufficient detail to show that the idea of using a stone to find the sun's position in overcast conditions was commonplace.
Possibility of use for orientation and navigation
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