Sylvester Okwunodu Ogbechie is a Nigerian-American art historian, artist, and curator. He is Professor of History of Art and Architecture at the University of California, Santa Barbara. His research examines African and African Diaspora arts, modern and contemporary art, cultural informatics, and African cultural patrimony. Ogbechie founded the journal Critical Interventions: Journal of African Art History and Visual Culture, and organized the first conference in the United States to explore the Nigerian film industry in 2005. He is a 2022 Guggenheim Fellow in Fine Arts Research as well as a Fellow/Consortium Professor of the Getty Research Institute, senior fellow of the Smithsonian Institution, Fellow of the Rockefeller Foundation, and Fellow of the Institute of International Education. His publications include Ben Enwonwu: The Making of an African Modernist (2008) and Making History: African Collectors and the Canon of African Art Collection (2011).
Early life and education Sylvester Okwunodu Ogbechie was born in Nigeria. He obtained his master's degree at the University of Nigeria. In the 1980s, the American-style university adopted a more conceptual approach to art education, expanding beyond the traditional art school curriculum. This program produced a generation of influential critics, curators, and artists, including Ogbechie. He obtained his Ph.D. from Northwestern University.
Career Ogbechie has contributed to and published extensively in various academic journals, including African Arts, Art Journal, and Nka: Journal of Contemporary African Art. He also founded and edited Critical Interventions: Journal of African Art History and Visual Culture, a peer-reviewed journal that explored African and African Diaspora art, cultural identities, and the politics of commodification in the global economy. The journal, which ceased publication in 2021, also examined African cultural patrimony, intellectual property rights, and the transmission of indigenous knowledge systems. In June 2005, Ogbechie organized the First International Nollywood Convention and Symposium in Los Angeles, which "evaluated new media in contemporary African Visual Culture from the perspective of the internationally acclaimed Nigerian Video Film Industry." The following year, he established the Nollywood Foundation to advance the formal study of this phenomenon and organized annual international Nollywood conventions from 2005 to 2009. Ogbechie has stated that Nollywood is "the first global pan-African film medium to cut across social, cultural, economic and national boundaries" and asserts that the films played "a major role in the social and economic recovery of Liberia after its civil war". In his 2011 book Making History: African Collectors and the Canon of African Art, which examines the Femi Akinsanya collection in Nigeria, Ogbechie highlighted the overlooked role of African collectors in the creation of art collections. Ogbechie has received numerous fellowships, including the Daimler Fellowship from the American Academy in Berlin, a Fellowship and Consortium Professorship at the Getty Research Institute, and fellowships from the Rockefeller Foundation and the Institute for International Education. In 2016, he received a Smithsonian Institution Senior Fellowship Award to work on a book titled Rethinking African Art History: Indigenous Arts, Modernity, and Discourses of the Contemporary. The project examines the divide between pre-colonial African art and art shaped by colonial, postcolonial, urban, and global influences. In 2022, Ogbechie received a Guggenheim Foundation award for his book project, The Curator as Culture Broker: Representing Africa in Global Contemporary Art. The book employs historiographical, art historical, and social network analysis to explore how African artists and artworks are represented within the global discourse of contemporary art. Ogbechie is a member of the College Art Association, and has served on the board of the African Studies Association, the Arts Council of the African Studies Association (where he served as president), and the American Association of University Professors. Ogbechie is the founder and director of Aachron Knowledge Systems, which engages in art management and equity consulting. Ogbechie has recounted the challenges he faced in obtaining a ten-day German visa to attend Documenta, one of the world's premier contemporary art exhibitions. "At the German [consulate] in Los Angeles, it took me three days to explain to the officials there why I, an art historian and professor in a major department of art history at a major American university, should be interested in attending the most important contemporary art exhibition on the planet." Addressing the barriers faced by African artists, he questioned: "what kind of exchange occurs when African artists and scholars are actively denied a chance to engage their counterparts in the West by being subjected to stringent applications requirements for a visa? What does this do to the production of knowledge about their spaces of practice?"
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