The Legend of Nigger Charley (released as The Legend of Black Charley for television broadcast) is a 1972 blaxploitation Western film directed by Martin Goldman and starring Fred Williamson in the title role. The story of a trio of escaped slaves, it was released during the heyday of blaxploitation. Shot in Charles City, Virginia, Eve's Ranch, Santa Fe, New Mexico, Jamaica, and Arizona, it received backlash for its controversial title. It was followed by a 1973 sequel, The Soul of Nigger Charley.
Plot
The opening scene includes Charley as a baby with his mother Theo in Africa. The two are forced into slavery. Twenty years later, Charley kills an abusive plantation owner and flees with his two friends, Joshua and Toby. As they run away from the slave catchers, the trio experience racism, standoffs and romance, specifically in a small town. After Joshua is killed in a standoff against the town's outlaw, the film ends with Charley and Toby leaving the town to continue traveling with no destination.
Cast Fred Williamson as Charley "Nigger Charley" D'Urville Martin as Toby Don Pedro Colley as Joshua Thomas Anderson as "Shadow" Jerry Gatlin as Sheriff Rhinehart Alan Gifford as Hill Carter Will Hussung as Dr. Saunders Gertrude Jeannette as Theo Fred Lerner as Ollokot Marcia McBroom as Leda Bill Moor as Walker Tricia O'Neil as Sarah Lyons John Ryan as Houston Doug Row as Dewey Lyons Joe Santos as Reverend
Background This film was the debut movie for commercial director Martin Goldman. However, after many disagreements with the producer, Goldman distanced himself from the production. Larry Spangler, the producer, envisioned the film. To assure a degree of accuracy, he spent months researching that period during the 1800s. At first, Woody Strode was cast in the lead role but Strode changed his mind and dropped out. When Spangler continued the process of casting, he saw several top actors. However, he chose Williamson for "his right stature, the feel, the stamina, fervor, and virility of Nigger Charley ..." Fred Williamson at that point had never shot a gun or been on horse. He spent a total of one week working on both skills. Spangler wanted an authenticity to the setting. Thus, they filmed at an actual plantation, Shirley Plantation, in Virginia. Shirley Plantation was actually owned by the Carter family. This plantation is known for being the birth spot of General Robert E. Lee, the leader of the Confederate forces in the Civil War.
Race and racism When the film first advertised, it promised black men fighting Indians. The advertisement and plot line caused a backlash from Native Americans, who protested their depiction. Specifically, there is a scene in the film where Charley, Toby and Joshua run into a group of Indians. They approach the trio and begin to touch their skin trying to see whether the black color would rub off. This was extremely offensive to the Native American community and many chose to send letters. This is why the production was moved from Colombia to New Mexico. However, most of the controversy was centered on the title of the film. Some found the name so offensive that the newspapers actually edited the name in the advertisements to The Legend of Black Charley, or just Black Charley. Williamson said, "I called it Nigger Charley because it was controversy. The word nigger in the '70s was hot. Controversy is what sells." He later explained that he believed the movie was helping to take back the meaning from the historical defamation. The movie helps reinforce the expected interaction between black and white people regarding the racial slur. White characters were chastised and punished for using the word while black people were free to use it flippantly. Throughout the film, they say it as a badge of honor, "signifying their willingness to defy the paralyzing constrictions of white society." This paradigm is a reflection of what was occurring at the time regarding who was "allowed" to say the "N word." In response to the controversy, Don Pedro Colley stated that racism is just a part of life and trying to cover up that point of history would be pointless. He also mentioned that he viewed the film as the black Indiana Jones and felt that the media was sensationalizing the film to be more controversial than the movie truly is.
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