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The Living Dead (TV series)

The Living Dead (TV series) is a science topic covered in the lgStudy science library. This page brings together a partial reference excerpt, illustrations, worked examples, real-world applications and a short study plan, so you can understand The Living Dead (TV series) rather than just read about it. In short: The Living Dead: Three Films About the Power of the Past is a BBC television documentary series, the second by British filmmaker Adam Curtis, originally broadcast on BBC Two in 1995. In the series, Curtis examines the different ways that history and memory (both national and individual) have been used and manipulated by politicians and others.

Key takeaways

  • The Living Dead (TV series) belongs to science; place it in that map before memorising details.
  • Learn the definition first, then one example that makes the definition concrete.
  • Connect The Living Dead (TV series) to a quantity you can measure, compute or draw — that is where exam questions come from.
  • Reproduce the core statement of The Living Dead (TV series) from memory before moving on to harder problems.

Reference excerpt

The Living Dead: Three Films About the Power of the Past is a BBC television documentary series, the second by British filmmaker Adam Curtis, originally broadcast on BBC Two in 1995. In the series, Curtis examines the different ways that history and memory (both national and individual) have been used and manipulated by politicians and others.

Summary of episodes

Part 1. "On the Desperate Edge of Now" This episode, broadcast on 30 May 1995, examines how the various national ideals and memories of the Second World War were effectively buried, rewritten and manipulated in the Cold War era, only to violently resurface later with events such as the protests of 1968, the emergence of the Red Army Faction, and the turmoil of the Yugoslav Wars. For Germany, this process began at the Nuremberg Trials, where the use of the film The Nazi Plan was intended to reveal the criminality of the Nazi state, and attempts were made to prevent defendants—principally Hermann Göring—from providing any rational or contextualized argument for their actions during the war. Subsequently, however, bringing lower-ranking Nazis to justice was all but forgotten in the interests of maintaining West Germany as an important new ally in the Cold War. For the Allies, faced with a new enemy in the Soviet Union, there was a need to portray World War II as a crusade of pure good against pure evil, even if this meant creating a mismatch by denying the memories of the individual soldiers who had actually done the fighting and knew it to have been far more ambiguous. The title of this episode comes from a veteran's description of the uncertainty of survival in combat. A number of American veterans related how, years later, they found themselves plagued with previously suppressed memories of the brutal things they had seen and done.

Contributors Louis Simpson, Private in US Airborne Division 1943–45 Paul Fussell, infantryman in US Army 1944–45 Frau Witta and Frau Torman, housekeepers at Carinhall Utz Ulrich, Curator, Nuremberg museum Carlo Jahn, Gatekeeper of Congress Hall, Nuremberg Herr Fruehwirt, member of the Hitler Youth 1933–41 Peter Uiberall, Goering's interpreter at Nuremberg trials Burton C. Andrus Jnr, son of Burton C. Andrus, Commandant of the Nuremberg Prison Robert Wolfe, Head of Captured German Documents, US National Archives Mary Burns, stenographer at Nuremberg trials Horst Mahler, a leader of Red Army Faction George Garand, interrogator at Nuremberg trials Anna Cameron, stenographer at Nuremberg trials Drexel Sprecher, US lawyer at Nuremberg trials Dr John Lattimer, urologist for defendants at Nuremberg trials Peter Block, Keeper of the Statues, Bellevue Palace Andre Dufresne, infantryman in US Army 1943–45 Kitta Wagner, Nuremberg resident Egon Hanfstaengel, son of Ernst Hanfstaengl, Hitler's confidant Herman Gremlitza, student movement, 1968 Christiane Ensslin, sister of Gudrun Ensslin, a founder of Red Army Faction Alfred Kernd'l, Chief Archaeologist to the City of Berlin

Part 2. "You Have Used Me as a Fish Long Enough" In this episode, broadcast on 6 June 1995, the early history of the Central Intelligence Agency's (CIA) use of brainwashing and mind control is examined. Its thesis is that a search for control over the past, via medical intervention, had to be abandoned, and that in modern times, control over the past is more effectively exercised by the manipulation of history. It concludes that despite successful attempts to remove memories of the past, doing so often left an emotional void that was hard to refill. The angle pursued by Curtis is the way in which psychiatry historically pursued tabula rasa theories of the mind, initially to set people free from traumatic memories and then later as a potential instrument of societal control. The work of Ewen Cameron is surveyed, with particular reference to the early medical use of electroconvulsive therapy, Cold War theories of communist brainwashing, and the search for hypnoprogammed sleeper agents and assassins. After the intelligence agency failures over the Kennedy assassination and the failed assassination attempts against Fidel Castro, this work was later abandoned in favour of computerised memory and intelligence research, such as the Defense Advanced Research Projects Agency (DARPA), created in 1958. The title of this episode comes from a paranoid schizophrenic seen in archive film in the programme, who believed that her neighbours were using her as a source of amusement by denying her any privacy—like a goldfish in a bowl. Some footage from this episode, an interview with one of Cameron's victims, was later reused by Curtis in The Century of the Self.

Contributors Joy Shannon, Administrator, Montreal Neurological Institute Dr Herb Jasper, assistant to Wilder Penfield Dr Heinz Lehmann, psychiatrist and colleague of Dr Cameron Dr Peter Roper, psychiatrist at Allan Memorial Institute Thomas Polgar, CIA Assistant Chief of Station in Berlin 1949–55 Dr John Gittinger, CIA Chief Psychologist 1950–74 Milton Kline, psychologist and adviser to CIA Laughlin Taylor, assistant to Dr Cameron 1958–60 Linda MacDonald, former patient of Dr Cameron Jerome Bruner, cognitive psychologist, 1950s John Marks, former assistant to CIA Director of Intelligence and Research Victor Marchetti, CIA officer 1955–69 Gray Lynch, CIA officer, 1960s William Alexander, Assistant District Attorney, Dallas 1963 Yuri Nosenko, KGB defector Colonel Yuri Modin, KGB officer 1947–80 Ulric Neisser, cognitive psychologist, 1960s Robert Cooper, Director of ARPA 1981–85 Marvin Minsky, artificial intelligence scientist, MIT Gary Chapman, historian of artificial intelligence Robert Simpson, Projects Officer at ARPA 1985–90 Marco Lloyd, platoon commander in the Gulf War

… excerpt ends here. Continue reading the full article.

Worked examples

Example 1 — a first encounter with The Living Dead (TV series)

Start with the simplest possible case. Write down what The Living Dead (TV series) claims or describes in one sentence, then invent the smallest concrete situation in which that sentence is true. In science, the smallest case is usually a single object, a single equation or a single measurement. Check that every symbol or term in your sentence has a meaning in that case.

Example 2 — changing one variable

Take the situation from Example 1 and change exactly one quantity: double it, halve it, or set it to zero. Predict what should happen to The Living Dead (TV series) before you calculate. Comparing your prediction with the result is the fastest way to find out whether you understand the idea or only the words.

Example 3 — an exam-style question

Typical questions about The Living Dead (TV series) ask you to (a) state it precisely, (b) apply it to given data, and (c) explain a limitation. Practise writing all three answers in under five minutes; the third part is what separates a full-mark answer from an average one.

Applications of The Living Dead (TV series)

In research
The Living Dead (TV series) appears in science research whenever the underlying quantities have to be modelled precisely. Papers usually cite it as a starting assumption and then explore where it breaks down.
In technology and industry
Engineering practice reuses The Living Dead (TV series) in design rules, simulations and safety margins. Knowing the idea lets you read a specification sheet and understand why the numbers look the way they do.
In the classroom
The Living Dead (TV series) is common in secondary-school and first-year university syllabi. It links to neighbouring topics 1990s British documentary television series, 1990s British television miniseries, 1995 British television series debuts, so understanding it makes those chapters shorter.
In everyday life
Look for The Living Dead (TV series) outside the textbook — in sport, cooking, traffic, electronics or the sky above you. An example you found yourself is remembered far longer than one you were given.
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How to study The Living Dead (TV series) in 20 minutes

  1. Read the reference excerpt below once, without taking notes.
  2. Close the page and write down what The Living Dead (TV series) means in your own words.
  3. Compare your version with the excerpt and mark what you missed.
  4. Work through the three examples above with pen and paper.
  5. Explain The Living Dead (TV series) out loud to somebody else — or to Teacher Smith in the lgStudy chat.

Frequently asked questions

What is The Living Dead (TV series) in simple terms?

The Living Dead: Three Films About the Power of the Past is a BBC television documentary series, the second by British filmmaker Adam Curtis, originally broadcast on BBC Two in 1995. In the series, Curtis examines the different ways that history and memory (both national and individual) have been u…

Why does The Living Dead (TV series) matter?

Because it connects several science ideas at once: it gives you a definition you can apply, a quantity you can calculate, and a way to check whether a result is plausible.

How should I study The Living Dead (TV series)?

Read the excerpt, restate it from memory, then work through the examples and applications listed on this page. The five-step study plan above takes about twenty minutes.

What does this page cover?

It gives you a compact reference excerpt plus original lgStudy explanations, examples, applications and study material on The Living Dead (TV series).

Tags

  • 1990s British documentary television series
  • 1990s British television miniseries
  • 1995 British television series debuts
  • 1995 British television series endings
  • 1995 English-language television series debuts
  • 1995 English-language television series endings
  • BBC television documentaries
  • Documentaries about psychology
  • English-language British television shows
  • Films directed by Adam Curtis
  • Works about mind control

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