The Natural History and Antiquities of Selborne, or just The Natural History of Selborne is a book by English parson-naturalist Gilbert White (1720–1793). It was first published in 1789 by his brother Benjamin. It has been continuously in print since then, with nearly 300 editions up to 2007. The book was published late in White's life, compiled from a mixture of his letters to other naturalists—Thomas Pennant and Daines Barrington; a 'Naturalist's Calendar' (in the second edition) comparing phenological observations made by White and William Markwick of the first appearances in the year of different animals and plants in South East England, particularly in and around Selborne and Sussex; and observations of natural history organized more or less systematically by species and group. A second volume, less often reprinted, covered the antiquities of Selborne. Some of the letters were never posted and were written for the book. White's Natural History was at once well received by contemporary critics and the public, and continued to be admired by a diverse range of nineteenth and twentieth century literary figures. His work has been seen as an early contribution to ecology and in particular to phenology. The book has been enjoyed for its charm and apparent simplicity, and the way that it creates a vision of pre-industrial England. The original manuscript has been preserved and is displayed in the Gilbert White museum at The Wakes, Selborne.
Overview
The main part of the book, the Natural History, is presented as a compilation of 44 letters nominally to Thomas Pennant, a leading British zoologist of the day, and 66 letters to Daines Barrington, an English barrister and Fellow of the Royal Society. In these letters, White details the natural history of the area around his family home at the vicarage of Selborne in Hampshire. Many of the 'letters' were never posted, and were written especially for the book. Patrick Armstrong, in his book The English Parson-Naturalist, notes that in particular, "an obvious example is the first, nominally to Thomas Pennant, but which is clearly contrived, as it introduces the parish, briefly summarizing its position, geography and principal physical features." White's biographer, Richard Mabey, estimates that up to 46 out of 66 'letters to Daines Barrington' "were probably never sent through the post"; Mabey explains that it is hard to be more precise, because of White's extensive editing. Some letters are dated although never sent. Some dates have been altered. Some letters have been cut down, split into shorter 'letters', merged, or distributed in small parts into other letters. A section about insect-eating birds in a letter sent to Barrington in 1770 appears in the book as letter 41 to Pennant. Personal remarks have been removed throughout. Thus, while the book is genuinely based on letters to Pennant and Barrington, the structure of the book is a literary device. As a compilation of letters and other materials, the book as a whole has an uneven structure. The first part is a diary-like sequence of 'letters', with the breaks and wanderings that naturally follow. The second is a calendar, organized by phenological event around the year. The third is a collection of observations, organised by animal or plant group and species, with a section on meteorology. The apparently rambling structure of the book is in fact bracketed by opening and closing sections, arranged like the rest as letters, which "give form and scale and even a semblance of narrative structure to what would otherwise have been a shapeless anthology." The unposted Letter 1 begins:
The parish of Selborne lies in the extreme eastern corner of the county of Hampshire, bordering on the county of Sussex, and not far from the county of Surrey; is about fifty miles south-west of London, in latitude fifty-one, and near mid-way between the towns of Alton and Petersfield. Being very large and extensive, it abuts on twelve parishes, two of which are in Sussex—viz, Trotton and Rogate. ... The soils of this district are almost as various and diversified as the views and aspects. The high part of the south-west consists of a vast hill of chalk, rising three hundred feet above the village, and is divided into a sheep-down, the high wood and a long hanging wood, called The Hanger. The covert of this eminence is altogether beech, the most lovely of all forest trees, whether we consider its smooth rind or bark, its glossy foliage, or graceful pendulous boughs. The down, or sheepwalk, is a pleasing park-like spot, of about one mile by half that space, jutting out on the verge of the hill-country, where it begins to break down into the plains, and commanding a very engaging view, being an assemblage of hill, dale, wood-lands, heath, and water. The prospect is bounded to the south-east and east by the vast range of mountains called the Sussex Downs, by Guild-down near Guildford, and by the Downs round Dorking, and Ryegate in Surrey, to the north-east, which altogether, with the country beyond Alton and Farnham, form a noble and extensive outline. "No novelist could have opened better", wrote Virginia Woolf; "Selborne is set solidly in the foreground."
Illustrations
The first edition was illustrated with paintings by the Swiss artist Samuel Hieronymus Grimm, engraved by W. Angus and aquatinted. Grimm had lived in England since 1768, and was quite a famous artist, costing 2½ guineas per week. In the event, he stayed in Selborne for 28 days, and White recorded that he worked very hard on 24 of them. White also described Grimm's method, which was to sketch the landscape in lead pencil, then to put in the shading, and finally to add a light wash of watercolour. The illustrations were engraved (signed at lower right) by a variety of engravers including William Angus and Peter Mazell.
Structure
The Natural History of Selborne
Letters to Thomas Pennant
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