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The Second Mrs. Giaconda

The Second Mrs. Giaconda is a science topic covered in the lgStudy science library. This page brings together a partial reference excerpt, illustrations, worked examples, real-world applications and a short study plan, so you can understand The Second Mrs. Giaconda rather than just read about it. In short: The Second Mrs. Giaconda, later The Second Mrs.

The Second Mrs. Giaconda — main illustration
The Second Mrs. Giaconda — illustration

Key takeaways

  • The Second Mrs. Giaconda belongs to science; place it in that map before memorising details.
  • Learn the definition first, then one example that makes the definition concrete.
  • Connect The Second Mrs. Giaconda to a quantity you can measure, compute or draw — that is where exam questions come from.
  • Reproduce the core statement of The Second Mrs. Giaconda from memory before moving on to harder problems.

Reference excerpt

The Second Mrs. Giaconda, later The Second Mrs. Gioconda, is a historical novel for children by E. L. Konigsburg. Set primarily in Milan, Italy, it features Leonardo da Vinci, his servant Salai, and duchess Beatrice d'Este. Through the experiences of Salai narrated in third person, it explores the background of da Vinci's Mona Lisa. The book was published by Atheneum in 1975, manufactured by Halliday Lithograph Corporation with ten black-and-white museum plates of da Vinci paintings and drawings, of which several figure in the story.

Summary A prologue opens by asking, "Why did Leonardo da Vinci choose to paint the portrait of the second wife of an unimportant Florentine merchant when dukes and duchesses ... were begging for a portrait by his hand?" It introduces Salai by five quotations from Leonardo's notebooks and his will. Early narrative chapters establish those two characters and their relationship. The son of a poor shoemaker, Salai is a cutpurse caught in the act by the master, whose grasp and visage he mistakes for the hand and face of God. Leonardo takes him as an apprentice, at no fee, and practically as a servant. Salai remains a scoundrel who moves from petty theft to selling his master's sketches, and later to selling his audiences. Princess Beatrice comes to Milan and marries Il Moro, the duke, who had hoped to marry her beautiful older sister Isabella d'Este. He continues to wait on his beautiful mistress Cecilia Gallerani, the subject of a Da Vinci portrait that is already famous. "She's small and dark and perfectly plain", Salai says when he first sees Beatrice; when they meet by accident, she is "trying to get the sun to make me blond and beautiful". They discover a shared taste for mischief. To Leonardo she laments, "Could I but gain my husband's love, I know that I could disguise this plain brown wrapping." He asks what she has "to give him that Cecilia has not" and she volunteers her "sense of fun". Salai and even Leonardo often visit Beatrice and she becomes the toast of Milan —assisted by the visits. They come to consider her "our duchess" but she does win her husband's love. Isabella visits and envies her sister for "the intellectuals, the gifted, the skilled craftsmen; the very elements who were drawn naturally to Beatrice." Beatrice grows into a political role and becomes a collector of clothing, jewels, etc., and no longer a companion to Salai. She does confide disappointment in the massive Leonardo's horse, conveys insight regarding the master's talent, and admonishes Salai to take some responsibility for that. To achieve great art, Leonardo needs "something wild, something irresponsible in his work", and Salai must help. The merchant Gioconda and his wife appear only in the last of nineteen chapters, visiting the studio during the master's absence. Beatrice has approved Leonardo's The Last Supper and died in childbirth. Milan has been conquered by the French and Leonardo has moved to Mantua. Duchess Isabella of Mantua (sister of Beatrice) has been frustrated for years seeking her portrait by Leonardo, which delights Salai. "Sooner or later she would come to realize that here was one prize that was just out of reach of her jeweled pink fingers." Spurred by Beatrice and Isabella, the irresponsible Salai determines to persuade Leonardo to paint Lisa.

Origins Konigsburg once held a "grudge" against da Vinci. She came to admire him as both an artist and a person after reading Jacob Bronowski's essay on the painter in The Horizon Book of the Renaissance. She was intrigued by Bronowski's observation that Leonardo was insecure.

Awards The American Library Association named The Second Mrs. Gioconda a Best Book of the Year for Young Adults for 1975.

See also Cultural references to Leonardo da Vinci

Notes

References

Citations

Worked examples

Example 1 — a first encounter with The Second Mrs. Giaconda

Start with the simplest possible case. Write down what The Second Mrs. Giaconda claims or describes in one sentence, then invent the smallest concrete situation in which that sentence is true. In science, the smallest case is usually a single object, a single equation or a single measurement. Check that every symbol or term in your sentence has a meaning in that case.

Example 2 — changing one variable

Take the situation from Example 1 and change exactly one quantity: double it, halve it, or set it to zero. Predict what should happen to The Second Mrs. Giaconda before you calculate. Comparing your prediction with the result is the fastest way to find out whether you understand the idea or only the words.

Example 3 — an exam-style question

Typical questions about The Second Mrs. Giaconda ask you to (a) state it precisely, (b) apply it to given data, and (c) explain a limitation. Practise writing all three answers in under five minutes; the third part is what separates a full-mark answer from an average one.

Applications of The Second Mrs. Giaconda

In research
The Second Mrs. Giaconda appears in science research whenever the underlying quantities have to be modelled precisely. Papers usually cite it as a starting assumption and then explore where it breaks down.
In technology and industry
Engineering practice reuses The Second Mrs. Giaconda in design rules, simulations and safety margins. Knowing the idea lets you read a specification sheet and understand why the numbers look the way they do.
In the classroom
The Second Mrs. Giaconda is common in secondary-school and first-year university syllabi. It links to neighbouring topics 1975 American novels, 1975 English-language novels, 1975 children's books, so understanding it makes those chapters shorter.
In everyday life
Look for The Second Mrs. Giaconda outside the textbook — in sport, cooking, traffic, electronics or the sky above you. An example you found yourself is remembered far longer than one you were given.
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How to study The Second Mrs. Giaconda in 20 minutes

  1. Read the reference excerpt below once, without taking notes.
  2. Close the page and write down what The Second Mrs. Giaconda means in your own words.
  3. Compare your version with the excerpt and mark what you missed.
  4. Work through the three examples above with pen and paper.
  5. Explain The Second Mrs. Giaconda out loud to somebody else — or to Teacher Smith in the lgStudy chat.

Frequently asked questions

What is The Second Mrs. Giaconda in simple terms?

The Second Mrs. Giaconda, later The Second Mrs.

Why does The Second Mrs. Giaconda matter?

Because it connects several science ideas at once: it gives you a definition you can apply, a quantity you can calculate, and a way to check whether a result is plausible.

How should I study The Second Mrs. Giaconda?

Read the excerpt, restate it from memory, then work through the examples and applications listed on this page. The five-step study plan above takes about twenty minutes.

What does this page cover?

It gives you a compact reference excerpt plus original lgStudy explanations, examples, applications and study material on The Second Mrs. Giaconda.

Tags

  • 1975 American novels
  • 1975 English-language novels
  • 1975 children's books
  • American children's novels
  • Atheneum Books books
  • Children's books set in Milan
  • Children's books set in the 15th century
  • Children's books set in the 16th century
  • Children's historical novels
  • Cultural depictions of Leonardo da Vinci
  • Mona Lisa
  • Novels about artists

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