ArticleslgStudy

science

The Skull (film)

The Skull (film) is a science topic covered in the lgStudy science library. This page brings together a partial reference excerpt, illustrations, worked examples, real-world applications and a short study plan, so you can understand The Skull (film) rather than just read about it. In short: The Skull is a 1965 British horror film directed by Freddie Francis for Amicus Productions, and starring Peter Cushing and Christopher Lee, Patrick Wymark, Jill Bennett, Nigel Green, Patrick Magee and Peter Woodthorpe. The script was written by Milton Subotsky from a short story by Robert Bloch, "The Skull of the Marquis de Sade".

The Skull (film) — main illustration
The Skull (film) — illustration

Key takeaways

  • The Skull (film) belongs to science; place it in that map before memorising details.
  • Learn the definition first, then one example that makes the definition concrete.
  • Connect The Skull (film) to a quantity you can measure, compute or draw — that is where exam questions come from.
  • Reproduce the core statement of The Skull (film) from memory before moving on to harder problems.

Reference excerpt

The Skull is a 1965 British horror film directed by Freddie Francis for Amicus Productions, and starring Peter Cushing and Christopher Lee, Patrick Wymark, Jill Bennett, Nigel Green, Patrick Magee and Peter Woodthorpe. The script was written by Milton Subotsky from a short story by Robert Bloch, "The Skull of the Marquis de Sade". It was one of a number of British horror films of the sixties to be scored by avant-garde composer Elisabeth Lutyens, including several others for Amicus.

Plot In the 19th century, Pierre, a phrenologist, robs the grave of the recently buried Marquis de Sade. He takes the Marquis's severed head and sets about boiling it to remove its flesh, leaving the skull. Before the task is done, Pierre meets an unseen and horrific death. In modern-day London, Christopher Maitland, a collector and writer on the occult, is offered the skull by Anthony Marco, an unscrupulous dealer in antiques and curiosities. Maitland learns that the skull has been stolen from Sir Matthew Phillips, a friend and fellow collector. Sir Matthew, however, does not want to recover it, having escaped its evil influence. He warns Maitland of its powers. At his sleazy lodgings, Marco dies in mysterious circumstances. Maitland finds his body and takes possession of the skull. He in turn falls victim as the skull drives him to hallucinations, madness and death.

Cast Peter Cushing as Dr. Christopher Maitland Patrick Wymark as Anthony Marco Christopher Lee as Sir Matthew Phillips Jill Bennett as Jane Maitland Nigel Green as Inspector Wilson Patrick Magee as Police Surgeon Peter Woodthorpe as Bert Travers Michael Gough as auctioneer George Coulouris as Dr. Londe April Olrich as French Girl Maurice Good as Pierre Anna Palk as Maid

Production The film was an attempt by Amicus to challenge Hammer Film Productions by making a full length colour movie. Once filming started, Freddie Francis rewrote much of Milton Subotsky's script. Christopher Lee is billed as "guest star" in the film's credits; he plays a supporting role. The film's final twenty-five minutes contain almost no dialogue. In real life, the Marquis de Sade's body was exhumed from its grave in the grounds of the lunatic asylum at Charenton, where he died in 1814, and his skull was removed for phrenological analysis. It was subsequently lost, and its fate remains unknown.

Release When it was released in France, promotional materials had to be changed at the last minute by pasting a new title, Le crâne maléfique ("The Evil Skull"), over the original French title Les Forfaits du Marquis de Sade ("Infamies of the Marquis de Sade") on posters and lobby cards, after legal action by the present-day Sade family.

Reception The Monthly Film Bulletin wrote: "A graveyard opening, followed by the cleansing of the skull in a decor which establishes a nice line in drawing-room laboratories, promises a 19th century piece of macabre skullduggery in familiar idiom; but the opening is merely a resumé of the skull's history, and the main action takes place in contemporary decor which is unusually vivid and imaginative. The film is pictorially effective throughout, and is directed by Freddie Francis with an individual flair which far outstrips the standard gimmicks of the genre. Francis has perhaps an over-fondness for camera motion (pans, tracks and tilts galore, which tend to become irksome after a time); the trick shots, with the camera, as it were, inside the skull so that we look out through the eye-sockets, are over-used; and it is a pity that the idea was not reserved for a single presentation during the climax when the skull establishes itself on a pentacular table on which it teleports one of the statuettes. But except for one shot towards the end when, through boldness in bringing the thing into close-up, suspension wires are too clearly visible, the mobility of the skull is very well contrived; and such blemishes are small price to pay for an unusually deft piece of macabre supernatural, the impact of which is given extra distinction in Bill Constable's art direction and Elisabeth Lutyens' score."

References

External links The Skull at IMDb

Worked examples

Example 1 — a first encounter with The Skull (film)

Start with the simplest possible case. Write down what The Skull (film) claims or describes in one sentence, then invent the smallest concrete situation in which that sentence is true. In science, the smallest case is usually a single object, a single equation or a single measurement. Check that every symbol or term in your sentence has a meaning in that case.

Example 2 — changing one variable

Take the situation from Example 1 and change exactly one quantity: double it, halve it, or set it to zero. Predict what should happen to The Skull (film) before you calculate. Comparing your prediction with the result is the fastest way to find out whether you understand the idea or only the words.

Example 3 — an exam-style question

Typical questions about The Skull (film) ask you to (a) state it precisely, (b) apply it to given data, and (c) explain a limitation. Practise writing all three answers in under five minutes; the third part is what separates a full-mark answer from an average one.

Applications of The Skull (film)

In research
The Skull (film) appears in science research whenever the underlying quantities have to be modelled precisely. Papers usually cite it as a starting assumption and then explore where it breaks down.
In technology and industry
Engineering practice reuses The Skull (film) in design rules, simulations and safety margins. Knowing the idea lets you read a specification sheet and understand why the numbers look the way they do.
In the classroom
The Skull (film) is common in secondary-school and first-year university syllabi. It links to neighbouring topics 1960s historical horror films, 1965 British films, 1965 English-language films, so understanding it makes those chapters shorter.
In everyday life
Look for The Skull (film) outside the textbook — in sport, cooking, traffic, electronics or the sky above you. An example you found yourself is remembered far longer than one you were given.
Ask Teacher Smith questions about this articleOpens your AI tutor with a question about “The Skull (film)” →

Affiliate

Preply — study more efficiently by working with a personal tutor. 50% off.

How to study The Skull (film) in 20 minutes

  1. Read the reference excerpt below once, without taking notes.
  2. Close the page and write down what The Skull (film) means in your own words.
  3. Compare your version with the excerpt and mark what you missed.
  4. Work through the three examples above with pen and paper.
  5. Explain The Skull (film) out loud to somebody else — or to Teacher Smith in the lgStudy chat.

Frequently asked questions

What is The Skull (film) in simple terms?

The Skull is a 1965 British horror film directed by Freddie Francis for Amicus Productions, and starring Peter Cushing and Christopher Lee, Patrick Wymark, Jill Bennett, Nigel Green, Patrick Magee and Peter Woodthorpe. The script was written by Milton Subotsky from a short story by Robert Bloch, "T…

Why does The Skull (film) matter?

Because it connects several science ideas at once: it gives you a definition you can apply, a quantity you can calculate, and a way to check whether a result is plausible.

How should I study The Skull (film)?

Read the excerpt, restate it from memory, then work through the examples and applications listed on this page. The five-step study plan above takes about twenty minutes.

What does this page cover?

It gives you a compact reference excerpt plus original lgStudy explanations, examples, applications and study material on The Skull (film).

Tags

  • 1960s historical horror films
  • 1965 British films
  • 1965 English-language films
  • 1965 films
  • 1965 horror films
  • Amicus Productions films
  • British historical horror films
  • English-language historical horror films
  • Films about the Marquis de Sade
  • Films based on American short stories
  • Films based on works by Robert Bloch
  • Films directed by Freddie Francis

Keep exploring