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The War Game

The War Game is a physics topic covered in the lgStudy science library. This page brings together a partial reference excerpt, illustrations, worked examples, real-world applications and a short study plan, so you can understand The War Game rather than just read about it. In short: The War Game is a 1965 British pseudo-documentary film that depicts a nuclear war and its aftermath. Written, directed and produced by Peter Watkins for the BBC, it caused dismay within the BBC and within government and was withdrawn before the provisional screening date of 6 October 1965.

The War Game — main illustration
The War Game — illustration

Key takeaways

  • The War Game belongs to physics; place it in that map before memorising details.
  • Learn the definition first, then one example that makes the definition concrete.
  • Connect The War Game to a quantity you can measure, compute or draw — that is where exam questions come from.
  • Reproduce the core statement of The War Game from memory before moving on to harder problems.

Reference excerpt

The War Game is a 1965 British pseudo-documentary film that depicts a nuclear war and its aftermath. Written, directed and produced by Peter Watkins for the BBC, it caused dismay within the BBC and within government and was withdrawn before the provisional screening date of 6 October 1965. The corporation said that "the effect of the film has been judged by the BBC to be too horrifying for the medium of broadcasting. It will, however, be shown to invited audiences..." The film premiered at the National Film Theatre in London, on 13 April 1966, where it ran until 3 May. It was then shown abroad at several film festivals, including Venice, where it won the Special Prize. It won the Academy Award for Best Documentary Feature in 1967. The film was eventually televised in Great Britain on 31 July 1985, during the week before the 40th anniversary of the Hiroshima bombing, the day before a repeat screening of Threads.

Synopsis The film begins by describing Britain's nuclear deterrence policy of threatening would-be aggressors with devastation from the Royal Air Force's nuclear-armed V bombers. Due to the number of V bomber bases (particularly in a crisis situation that would see them dispersed throughout Britain), as well as major civilian targets in cities, Britain is described as having more potential nuclear weapon targets by area than any other country. On 15 September, American forces in South Vietnam are authorised to use tactical nuclear weapons in response to an ongoing Chinese invasion. The Soviet Union and East Germany threaten to invade West Berlin if America does not change course. The next day, the British government declares a state of emergency and transfers responsibility for Britain's day-to-day running to a body of regional commissioners. The first task of newly established emergency committees is the mass evacuation of children, mothers, and the infirm to various safe areas including Kent. Under threat of imprisonment, homeowners accommodate the evacuees, while unoccupied properties are requisitioned by the government. Rationing is implemented, booklets on how to prepare for nuclear attack are distributed, and emergency sirens are tested, with these being estimated to provide around three minutes' warning until impact, or under 30 seconds in the case of submarine attack. There are no government-built shelters and efforts to build private ones are soon frustrated by a shortage of construction supplies. On 18 September the Soviets and East Germans invade West Berlin as previously threatened. NATO launches a counterattack, which is quickly overrun, resulting in the use of American tactical nuclear weapons. The Soviets immediately launch their own nuclear weapons at strategic targets, as their above-ground liquid-fuelled missiles are highly vulnerable to a NATO first strike. In Kent a one-megaton warhead that overshoots RAF Manston explodes in an air burst six miles from Canterbury, causing the city to be struck by the intense heat given off by the blast. At one house a defence worker and a boy in the yard are struck by the heat wave, causing their eyeballs to melt. Furniture inside the house catches fire, causing those inside to panic as they attempt to put the flames out. Twelve seconds later the building is destroyed by the incoming shockwave. At another house a boy suffers flash blindness as a consequence of looking directly at an explosion 27 miles away; his father carries him inside and hides with the rest of his family under a table as the house is shaken by the distant shockwaves of successive explosions. In Rochester, an airburst causes a firestorm, which sets the town ablaze. Meanwhile British V bombers enter Soviet airspace to inflict similar devastation. The attack overwhelms Kent's emergency services, with each surviving doctor being faced with at least 350 casualties. The worst-affected victims are left to die alone or shot by police as a form of mercy killing. Cases of PTSD occur among the survivors of the attacks. Bodies are disposed of by being burned; to prevent relatives from interfering, destroyed areas are sealed off, and police are routinely armed. Radiation sickness is rampant and essential supplies and utilities are non-existent or severely limited. The majority of Britain's remaining food supplies are reserved for those maintaining law and order, causing riots to break out over access to resources. The riots soon turn into armed skirmishes between the authorities and desperate civilians; the latter are shown seizing a truck carrying a shipment of weapons and a food warehouse. Elsewhere individuals convicted of causing civil disturbance or obstructing government officers are executed by police firing squads, with the father of the blinded boy from earlier in the film among those shot. Due to food shortages, scurvy emerges as a consequence of a lack of easily available vitamin C. On Christmas Day in a Dover refugee facility children orphaned in the attack are asked what they want to be when they grow up; they either "don't want to be nothing" or simply remain silent. Another child is described as having only seven bedridden years to live before dying from a chronic illness resembling leukaemia, and a pregnant woman who was exposed to radiation is unsure if she will suffer stillbirth. In closing, the real-world press is described as saying nothing about the dangers of nuclear weaponry. Over the closing credits, one can hear a damaged recording of the Christmas hymn Silent Night (Mohr and Gruber, 1818).

… excerpt ends here. Continue reading the full article.

Worked examples

Example 1 — a first encounter with The War Game

Start with the simplest possible case. Write down what The War Game claims or describes in one sentence, then invent the smallest concrete situation in which that sentence is true. In physics, the smallest case is usually a single object, a single equation or a single measurement. Check that every symbol or term in your sentence has a meaning in that case.

Example 2 — changing one variable

Take the situation from Example 1 and change exactly one quantity: double it, halve it, or set it to zero. Predict what should happen to The War Game before you calculate. Comparing your prediction with the result is the fastest way to find out whether you understand the idea or only the words.

Example 3 — an exam-style question

Typical questions about The War Game ask you to (a) state it precisely, (b) apply it to given data, and (c) explain a limitation. Practise writing all three answers in under five minutes; the third part is what separates a full-mark answer from an average one.

Applications of The War Game

In research
The War Game appears in physics research whenever the underlying quantities have to be modelled precisely. Papers usually cite it as a starting assumption and then explore where it breaks down.
In technology and industry
Engineering practice reuses The War Game in design rules, simulations and safety margins. Knowing the idea lets you read a specification sheet and understand why the numbers look the way they do.
In the classroom
The War Game is common in secondary-school and first-year university syllabi. It links to neighbouring topics 1966 British films, 1966 English-language films, 1966 black-and-white films, so understanding it makes those chapters shorter.
In everyday life
Look for The War Game outside the textbook — in sport, cooking, traffic, electronics or the sky above you. An example you found yourself is remembered far longer than one you were given.
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How to study The War Game in 20 minutes

  1. Read the reference excerpt below once, without taking notes.
  2. Close the page and write down what The War Game means in your own words.
  3. Compare your version with the excerpt and mark what you missed.
  4. Work through the three examples above with pen and paper.
  5. Explain The War Game out loud to somebody else — or to Teacher Smith in the lgStudy chat.

Frequently asked questions

What is The War Game in simple terms?

The War Game is a 1965 British pseudo-documentary film that depicts a nuclear war and its aftermath. Written, directed and produced by Peter Watkins for the BBC, it caused dismay within the BBC and within government and was withdrawn before the provisional screening date of 6 October 1965.

Why does The War Game matter?

Because it connects several physics ideas at once: it gives you a definition you can apply, a quantity you can calculate, and a way to check whether a result is plausible.

How should I study The War Game?

Read the excerpt, restate it from memory, then work through the examples and applications listed on this page. The five-step study plan above takes about twenty minutes.

What does this page cover?

It gives you a compact reference excerpt plus original lgStudy explanations, examples, applications and study material on The War Game.

Tags

  • 1966 British films
  • 1966 English-language films
  • 1966 black-and-white films
  • 1966 films
  • 1966 television films
  • Anti-nuclear films
  • Apocalyptic films
  • BBC controversies
  • BBC television dramas
  • Best Documentary Feature Academy Award winners
  • Black-and-white British television shows
  • British black-and-white films

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