In music, tonal memory or "aural recall" is the ability to remember a specific tone after it has been heard. Tonal memory assists with staying in tune and may be developed through ear training. Extensive tonal memory may be recognized as an indication of potential compositional ability. Tonal memory may be used as a strategy for learning to identify musical tones absolutely. Although those who attempt the strategy believe they are learning absolute pitch, the ability is generally not musically useful, and their absolute tonal memory declines substantially or completely over time if not constantly reinforced. When listening to music, tones are stored in short-term memory as they are heard. This allows sequences of tones, such as melodies, to be followed and understood. There is evidence that a specialized short-term memory system exists for tones, and that it is distinct from short-term verbal memory.
Research findings In the research article "Memory for musical tones: the impact of tonality and the creation of false memories", Dominique Vuvan and her researchers did three experiments that are focused on music memory specifically single tones with a tonal melodic condition. The result of the first experiment revealed that the responses of test subjects that listened to isochronous tones revealed quality remembrance in expected and unexpected targets in major tonal context compared to moderately expected targets. Vuvan's second experiment used minor melodies that hindered tonal anticipation due to how minor tonality can simultaneously be presented in three forms. The final experiment used atonal melodies that showed how participants were struggling to decipher each musical tone due to the absence of tonal structure. Lilach's research, along with her colleagues, aimed to experiment on how working memory fully functions when combining memorized music information. In the first experiment, there were nine tone sequences that played at five-hundred meters per second, and it performed five percent more precisely than the nine tone sequences that played at one-thousand meters per second. The second experiment did not have any effective observation of short sequences. This had an opposite reaction, which is why this showed how long term sequences at a faster rate performed better than at a shorter rate. Short sequences were remembered more accurately compared to long sequences that were slow and at a fast rate. Williamson and her associates created an experiment focused on the study of short-term memory using a structure of working memory to see how distinct and similar verbal and tonal information is processed. This experiment studied amateur musicians' short memory by utilizing visual-auditory senses. It was discovered that irrelevant tones disrupted memory for sequences of tones while irrelevant speech disrupted memory for the sequence of letters. Using the visual-auditory method was proved to be a practical tool for related studies of short term-memory for verbal and tonal medium. Two researchers Farbood and Mavromatis studied on how tonal conditions influence pitch recognition. This test used melodic sequences in a pitch memory test that is formed on the delayed-tone recognition paradigm. The results of the test showed that many factors such as interference tone, degree of tonality, and tonal fitness of comparison tone showed to be a key factor in how listeners performed in the task. Vispoel's research journal described an adaptable test that is for tonal memory. There are three phases that were created in order to get the results. The first phase created four to nine notes to provide reliable scores. The second phase used the test to run and evaluate in a computer simulation analysis. Lastly, in the third phase the test was field-tested on the PLATO computer system, and showed that it required an average tonal memory test scores of 6.05, 8.55, and 11.60 items to reach reliabilities of .80, .85, and .90 (4).
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