Urania's Mirror

Urania's Mirror; or, a view of the Heavens is a set of 32 astronomical star chart cards, first published in November 1824. They are illustrations based on Alexander Jamieson's A Celestial Atlas, but the addition of holes punched in them allow them to be held up to a light to see a depiction of the constellation's stars. They were engraved by Sidney Hall, and were said to be designed by "a lady", but have since been identified as the work of the Reverend Richard Rouse Bloxam, an assistant master at Rugby School. The cover of the box-set depicts Urania, the muse of astronomy. It originally came with a book entitled A Familiar Treatise on Astronomy... written as an accompaniment. Peter Hingley, the researcher who solved the mystery of who designed the cards a hundred and seventy years after their publication, considered them amongst the most attractive star chart cards of the many produced in the early 19th century.

Description

Urania's Mirror illustrates 79 constellations on 32 separate cards. Some of the illustrated constellations are now obsolete, as are some of the subconstellations, such as Caput Medusæ (the head of Medusa, carried by Perseus). Urania's Mirror was originally advertised as including "all the constellations visible in the British Empire", but, in fact, it left out some southern constellations. By the second edition (1825), advertisements merely claimed illustration of the constellations visible from "Great Britain". Some cards focus on a single constellation, others include several, with Card 32, centered on Hydra, illustrating twelve constellations (several of which are no longer recognised). Card 28 has six, and no other card has more than four. Each card measures 8 inches by 5+1⁄2 (about 20 by 14 cm). A book by Jehoshaphat Aspin entitled A Familiar Treatise on Astronomy (or, to give its full name, A Familiar Treatise on Astronomy, Explaining the General Phenomena of the Celestial Bodies; with Numerous Graphical Illustrations) was written to accompany the cards. The cards and book came in a box illustrated with a woman almost certainly intended to be Urania, muse of astronomy. The cards and book were originally published by Samuel Leigh, 18 Strand, London, although, by the fourth edition, the publishing firm had moved to 421 Strand and changed its name to M. A. Leigh. P.D. Hingley calls Urania's Mirror "one of the most charming and visually attractive of the many aids to astronomical self-instruction produced in the early nineteenth century". On its main gimmick, the holes in the stars meant to show the constellation when held in front of a light, he notes that, as the size of the holes marked correspond to the magnitude of the stars, a quite realistic depiction of the constellation is provided. Ian Ridpath mostly concurs. He describes the device as an "attractive feature", but notes that, due to the light at the time being provided primarily by candles, many cards likely burned up due to carelessness when trying to hold them in front of the flame. He notes three other attempts to use the same gimmick—Franz Niklaus König's Atlas céleste (1826), Friedrich Braun's Himmels-Atlas in transparenten Karten (1850), and Otto Möllinger's Himmelsatlas (1851), but states that they lack Urania's Mirror's artistry.

Copying from A Celestial Atlas

The depictions of the constellations in Urania's Mirror are redrawings from those in Alexander Jamieson's A Celestial Atlas, published about three years earlier, and include unique attributes differing from Jamieson's sky atlas, including the new constellation of Noctua the owl, and Norma Nilotica – a measuring device for the Nile floods – held by Aquarius the water bearer.

Mystery of the designer, and solution

Advertisements for Urania's Mirror, as well as the introduction to its companion book A Familiar Treatise on Astronomy, credit the design of the cards simply to a "lady", who is described in the introduction of the book as being "young". This led to speculation as to her identity. Some proposed prominent female astronomers such as Caroline Herschel and Mary Somerville, others credited the engraver Sidney Hall. The designer's identity remained unknown for 170 years. In 1994, while archiving early election certificates used to propose people to be admitted to the Royal Astronomical Society, P. D. Hingley found one proposing the Reverend Richard Rouse Bloxam and naming him as "Author of Urania's Mirror". While he had several notable sons, he has no other known publications, his main distinction being to have served as assistant master at Rugby School for 38 years. The reasons for the disguise are unknown. Hingley notes that many contemporary publications attempted to suggest women had played a role in their creation, perhaps to make them sound less threatening. He suggests that anonymity might have been necessary to protect Bloxam's position at Rugby, but notes Rugby was quite progressive, which makes this unlikely; and, finally, suggests modesty as a possibility. Ian Ridpath, noting the plagiarism of the art from A Celestial Atlas, suggests that this alone might be sufficient to cause the author to wish to remain anonymous.

Editions

… excerpt ends here. Continue reading the full article.