Vuk Stefanović Karadžić (Serbian Cyrillic: Вук Стефановић Караџић, pronounced [vûːk stefǎːnovitɕ kâradʒitɕ]; 6 November 1787 (26 October OS) – 7 February 1864) was a Serbian philologist, anthropologist and linguist. He was one of the most important reformers of the modern Serbian language. Vuk Karadžić was a versatile scholar and the founder of several Serbian academic disciplines, with a significant contribution to historiography. For his collection and preservation of Serbian folktales, Encyclopædia Britannica labelled Karadžić "the father of Serbian folk-literature scholarship." He was also the author of the first Serbian dictionary in the new reformed language. In addition, he translated the New Testament into the reformed form of the Serbian spelling and language. He was well known abroad and familiar to Jacob Grimm, Johann Wolfgang von Goethe and historian Leopold von Ranke. Karadžić was the primary source for Ranke's Die serbische Revolution ("The Serbian Revolution"), written in 1829.
Biography
Early life
Karadžić was born to Serbian parents Stefan and Jegda (née Zrnić) in the village of Tršić, near Loznica, then a part of the Ottoman Empire. His family settled from Drobnjaci (Petnjica, Šavnik), and his mother was born in Ozrinići, Nikšić, (in present-day Montenegro). His family had a low infant survival rate, thus he was named Vuk ('wolf') so that witches and evil spirits would not hurt him (the name was traditionally given to strengthen the bearer).
Education Karadžić was fortunate to be a relative of Jevta Savić Čotrić, the only literate person in the area at the time, who taught him how to read and write. Karadžić continued his education in the Tronoša Monastery in Loznica, where Stefan Tronoški served as archimandrite. As a boy he learned calligraphy there, using a reed instead of a pen and a solution of gunpowder for ink. In lieu of proper writing paper, he was lucky if he could get cartridge wrappings. Throughout the whole region, regular schooling was not widespread at that time and his father at first did not allow him to go to Austria. Since most of the time, while in the monastery Karadžić was forced to pasture the livestock instead of studying, his father brought him back home. Meanwhile, the First Serbian uprising seeking to overthrow the Ottomans began in 1804. After unsuccessful attempts to enroll in the gymnasium at Sremski Karlovci, for which 19-year-old Karadžić was too old, he left for Petrinja where he spent a few months learning Latin and German. Later on, he met highly respected scholar Dositej Obradović in Belgrade, which was now in the hands of the Revolutionary Serbia, to ask Obradović to support his studies. Obradović dismissed him. Disappointed, Karadžić left for Jadar and began working as a scribe for Jakov Nenadović and sometime later for Jevta Savić Čotrić as a customs officer, all during the uprising (1804–1813). After the founding of Belgrade's Great School, Karadžić became one of its students.
Later life and death Soon afterwards, he grew ill and left for medical treatment in Pest and Novi Sad, but was unable to receive treatment for his leg. It was rumored that Karadžić deliberately refused to undergo amputation, instead deciding to make do with a prosthetic wooden pegleg, of which there were several sarcastic references in some of his works. Karadžić returned to Serbia by 1810, and as unfit for military service, he served as the secretary for commanders Ćurčija and Hajduk-Veljko. His experiences would later give rise to two books. With the Ottoman defeat of the Serbian rebels in 1813, he left for Vienna and later met Jernej Kopitar, an experienced linguist with a strong interest in secular Slavistics. Kopitar's influence helped Karadžić with his struggle in reforming the Serbian language and its orthography Another important influence on his linguistic work was Sava Mrkalj. In 1814 and 1815, Karadžić published two volumes of Serbian Folk Songs, which afterwards increased to four, then to six, and finally to nine tomes. In enlarged editions, these admirable songs drew towards themselves the attention of all literary Europe and America. Goethe characterized some of them as "excellent and worthy of comparison with Solomon's Song of Songs." In 1824, he sent a copy of his folksong collection to Jacob Grimm, who was enthralled particularly by The Building of Skadar which Karadžić recorded from singing of Old Rashko. Grimm translated it into German and the song was noted and admired for many generations to come. Grimm compared them with the noblest flowers of Homeric poetry, and of The Building of Skadar he said: "one of the most touching poems of all nations and all times." The founders of the Romantic School in France, Charles Nodier, Prosper Mérimée, Lamartine, Gerard de Nerval, and Claude Fauriel translated a goodly number of them, and they also attracted the attention of Russian Alexander Pushkin, Finnish national poet Johan Ludwig Runeberg, Czech Samuel Roznay, Pole Kazimierz Brodzinski, English writers Walter Scott, Owen Meredith, and John Bowring, among others.
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