"We Shall Overcome" is a gospel song that is associated heavily with the U.S. civil rights movement. The origins of the song are unclear; it was thought to have descended from "I'll Overcome Some Day," a hymn by Charles Albert Tindley, while the modern version of the song was first said to have been sung by tobacco workers led by Lucille Simmons during the 1945–1946 Charleston Cigar Factory strike in Charleston, South Carolina. In 1947, the song was published under the title "We Will Overcome" in an edition of the People's Songs Bulletin, as a contribution of and with an introduction by Zilphia Horton, then the music director of the Highlander Folk School of Monteagle, Tennessee—an adult education school that trained union organizers. She taught it to many others, including People's Songs director Pete Seeger, who included it in his repertoire, as did many other activist singers, such as Frank Hamilton and Joe Glazer. In 1959, the song began to be associated with the civil rights movement as a protest song, when Guy Carawan stepped in with his and Seeger's version as song leader at Highlander, which was then focused on nonviolent civil rights activism. It quickly became the movement's unofficial anthem. Seeger and other famous folksingers in the early 1960s, such as Joan Baez, sang the song at rallies, folk festivals, and concerts in the North and helped make it widely known. Since its rise to prominence, the song, and songs based on it, have been used in a variety of protests worldwide. The U.S. copyright of the People's Songs Bulletin issue which contained "We Will Overcome" expired in 1976, but The Richmond Organization (TRO) asserted a copyright on the "We Shall Overcome" lyrics, registered in 1960. In 2017, in response to a lawsuit against TRO over allegations of false copyright claims, a U.S. judge issued an opinion that the registered work was insufficiently different from the "We Will Overcome" lyrics that had fallen into the public domain because of non-renewal. In January 2018, the company agreed to a settlement under which it would no longer assert any copyright claims over the song. In 2025, the publication Rolling Stone ranked Seeger's adaptation of the song at number 8 on its list of "The 100 Best Protest Songs of All Time". In June 2026, CBS News included the song in its list of the 250 essential American songs of the past 250 years.
Origins as gospel, folk, and labor song "I'll Overcome Some Day" was a hymn or gospel music composition by the Reverend Charles Albert Tindley of Philadelphia that was first published in 1901. A noted minister of the Methodist Episcopal Church, Tindley was the author of approximately 50 gospel hymns, of which "We'll Understand It By and By" and "Stand by Me" are among the best known. The published text bore the epigraph, "Ye shall overcome if ye faint not", derived from Galatians 6:9: "And let us not be weary in doing good, for in due season we shall reap, if we faint not." The first stanza began:
Tindley's songs were written in an idiom rooted in African American folk traditions, using pentatonic intervals, with ample space allowed for improvised interpolation, the addition of "blue" thirds and sevenths, and frequently featuring short refrains in which the congregation could join. Tindley's importance, however, was primarily as a lyricist and poet whose words spoke directly to the feelings of his audiences, many of whom had been freed from slavery only 36 years before he first published his songs, and were often impoverished, illiterate, and newly arrived in the North. "Even today," wrote musicologist Horace Boyer in 1983, "ministers quote his texts in the midst of their sermons as if they were poems, as indeed they are." A letter printed on the front page of the February 1909 United Mine Workers Journal states: "Last year at a strike, we opened every meeting with a prayer, and singing that good old song, 'We Will Overcome'." This statement implied that the song was well-known, and it was also the first acknowledgment of such a song having been sung in both a secular context and a mixed-race setting. Tindley's "I'll Overcome Some Day" was believed to have influenced the structure for "We Shall Overcome", with both the text and the melody having undergone a process of alteration. The tune has been changed so that it now echoes the opening and closing melody of "No More Auction Block for Me", also known from its refrain as "Many Thousands Gone". This was number 35 in Thomas Wentworth Higginson's collection of Negro Spirituals that appeared in The Atlantic Monthly of June 1867, with a comment by Higginson reflecting on how such songs were composed (i.e., whether the work of a single author or through what used to be called "communal composition"):
Even of this last composition, however, we have only the approximate date and know nothing of the mode of composition. Allan Ramsay says of the Scots Songs, that, no matter who made them, they were soon attributed to the minister of the parish whence they sprang. And I always wondered, about these, whether they had always a conscious and definite origin in some leading mind, or whether they grew by gradual accretion, in an almost unconscious way. On this point, I could get no information, though I asked many questions, until at last, one day when I was being rowed across from Beaufort to Ladies' Island, I found myself, with delight, on the actual trail of a song. One of the oarsmen, a brisk young fellow, not a soldier, on being asked for his theory of the matter, dropped out a coy confession. "Some good spirituals," he said, "are start jess out o' curiosity. I been a-raise a sing, myself, once." My dream was fulfilled, and I had traced out, not the poem alone, but the poet. I implored him to proceed. "Once we boys," he said, "went for to tote some rice, and de nigger-driver, he keep a-calling on us; and I say, 'O, de ole nigger-driver!' Den another said, 'First thing my mammy told me was, notin' so bad as a nigger-driver.' Den I made a sing, just puttin' a word, and den another word."
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