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Whitechapel Gallery

Whitechapel Gallery is a engineering topic covered in the lgStudy science library. This page brings together a partial reference excerpt, illustrations, worked examples, real-world applications and a short study plan, so you can understand Whitechapel Gallery rather than just read about it. In short: The Whitechapel Gallery is a public art gallery in Whitechapel on the north side of Whitechapel High Street, in the London Borough of Tower Hamlets. The original building, designed by Charles Harrison Townsend, opened in 1901 as one of the first publicly funded galleries for temporary exhibitions in London.

Whitechapel Gallery — main illustration
Whitechapel Gallery — illustration

Key takeaways

  • Whitechapel Gallery belongs to engineering; place it in that map before memorising details.
  • Learn the definition first, then one example that makes the definition concrete.
  • Connect Whitechapel Gallery to a quantity you can measure, compute or draw — that is where exam questions come from.
  • Reproduce the core statement of Whitechapel Gallery from memory before moving on to harder problems.

Reference excerpt

The Whitechapel Gallery is a public art gallery in Whitechapel on the north side of Whitechapel High Street, in the London Borough of Tower Hamlets. The original building, designed by Charles Harrison Townsend, opened in 1901 as one of the first publicly funded galleries for temporary exhibitions in London. The building is a notable example of the British Modern Style. In 2009 the gallery approximately doubled in size by incorporating the adjacent former Passmore Edwards library building. It exhibits the work of contemporary artists and organizes retrospective exhibitions and other art shows.

History The gallery exhibited Pablo Picasso's Guernica in 1938 as part of a touring exhibition organised by Roland Penrose to protest against the Spanish Civil War. The gallery played a major role in the history of post-war British art by promoting the work of emerging artists. Several significant exhibitions were held at the Whitechapel Gallery including This is Tomorrow in 1956, the first UK exhibition by Mark Rothko in 1961, and in 1964, The New Generation show which featured John Hoyland, Bridget Riley, David Hockney and Patrick Caulfield among others. Initiated by members of the Independent Group, the exhibition brought Pop Art to the general public as well as introducing some of the artists, concepts, designers and photographers that would define the Swinging Sixties. Throughout its history, the gallery had a series of open exhibitions that provided a platform for the area's artist community, but by the early 1990s these open shows became less relevant as emerging artists moved to other areas. In the late 1970s, the critical importance of the Whitechapel Gallery was displaced by newer venues such as the Hayward Gallery, then in the 1980s it enjoyed a resurgence under the Directorship of Nicholas Serota. The gallery had a major refurbishment in 1986; and in 2009 expanded into the former Passmore Edwards Library building next door. The expansion, which doubled the gallery's physical size and nearly tripled its available exhibition space, now allows the Whitechapel Gallery to remain open to the public all year round.

Notable exhibitions

1908 – Muhammadan Art and Life in Turkey, Persia, Egypt, Morocco and India. Autumn Exhibition 23 October to 6 December. The opening day to the public was on 27th Ramadan. An advisory member was Syed Ameer Ali, who in 1910 was one of the main instigators of the London Mosque Fund, which went on to establish the nearby East London Mosque. 1956 – This is Tomorrow exhibit 1958 – American abstract expressionist Jackson Pollock 1961 – Mark Rothko. The installation of his work at the Whitechapel becomes his template for all subsequent shows. 1961 – Recent Australian painting, Whitechapel Gallery, London (including John Olsen) 1964 – The New Generation – Painting – showcasing the work of John Hoyland, Patrick Caulfield, David Hockney, Paul Huxley, Alan Jones and Bridget Riley 1965 – The New Generation – Sculpture – showcasing the work of Philip King, David Annesley, Michael Bolus, Tim Scott, William Tucker, Isaac Witkin 1970 and 1971 – David Hockney retrospective, first major shows of Gilbert & George and Richard Long 1978 – "Art for Society" surveyed contemporary British art with a social or political purpose, showing work by Andrew Turner, John Walker, Kate Walker, Paul Waplington, Janine Wiedel, Stephen Willats, Alison Williams, Gus Wylie 1982 – Frida Kahlo 1986 – Victor Willing, a retrospective exhibition 1993 – The Whitechapel Gallery showcases Lucian Freud 2001 and 2002 – Liam Gillick and Nan Goldin stage their first major solo shows in the UK 2008 – Cornelia Parker's film Chomskian Abstract, featuring Noam Chomsky 2009 – Retrospective of Isa Genzken's work and solo shows for Sophie Calle and Elizabeth Peyton 2010 – Survey of Alice Neel's portraits in Britain 19–20 January 2011 the gallery hosted the inaugural Northern Future Forum gathering of prime ministers. 2011 – First UK survey of German artist Thomas Struth, one of the photographers of the late 20th century 2012 – A comprehensive survey of Turner Prize winning British artist Gillian Wearing 2013 – The first major solo exhibition in London for YBA artist Sarah Lucas 2014 – Five decade survey of North American Richard Tuttle, which was presented in conjunction with a major installation in Tate Modern's Turbine Hall and a solo show for Dada pioneer Hannah Höch 2015 – The first show in Britain on Arab Modernism "Imperfect Chronology: Arab Art from the Modern to the Contemporary", from the Barjeel Art Foundation collection 2016 – A new commission by feminist activism art group Guerrilla Girls and a major retrospective of British artist Eduardo Paolozzi 2017 – A major retrospective of German artist Thomas Ruff and solo show for British artist Benedict Drew 2018 – A solo show for Mark Dion and the first major UK survey of artist duo Elmgreen & Dragset

Publications In 2006, Whitechapel Gallery and MIT Press formed an editorial alliance to produce a new series of books entitled Documents of Contemporary Art.

Expansion

The Whitechapel reopened in April 2009 after a two-year project, which approximately doubled the size of the Gallery by incorporating the adjacent former Passmore Edwards library building (vacated when Whitechapel Idea Store opened). The work cost approximately £13.5 million and was partly funded by the Heritage Lottery Fund. A full-size tapestry based on Pablo Picasso's Guernica, by Jacqueline de la Baume Dürrbach and loaned from the United Nations Art Collection, was included in the inaugural exhibition by Goshka Macuga and Isa Genzken. As part of the expansion, a new Archive Gallery, a reading room and an archive repository (where the Whitechapel's historic records are held) have been created to support the Whitechapel's standing as an educational charity. The archives catalogue the very conception of the gallery, as well as the complete directors' files of correspondence which reveal the reasons behind key decisions in the Gallery's history.

Directors Charles Aitken (1901–1911) Hugh Scrutton (1945–1952) Bryan Robertson (1952–1968) Mark Glazebrook (1969–1971) Jenny Stein (1972–1974) Jasia Reichardt (1974–1976) Nicholas Serota (1976–1988) Catherine Lampert (1988–2002) Iwona Blazwick (2002–2022) Gilane Tawadros (2022–Present)

References

External links

… excerpt ends here. Continue reading the full article.

Illustrations

Whitechapel Gallery illustration
Whitechapel Gallery: Sarah Lucas, SITUATION, Whitechapel Gallery, London, 2013.
Sarah Lucas, SITUATION, Whitechapel Gallery, London, 2013.
Whitechapel Gallery: Barjeel's 'Imperfect Chronology' exhibition at the Whitechapel Gallery
Barjeel's 'Imperfect Chronology' exhibition at the Whitechapel Gallery
Whitechapel Gallery: Rodney Graham's weather vane (2008), commissioned for the expansion and placed on the former library building. It depicts the artist in the guise of 16th-century humanist scholar Desiderius Erasmus.
Rodney Graham's weather vane (2008), commissioned for the expansion and placed on the former library building. It depicts the artist in the guise of 16th-century humanist scholar Desiderius Erasmus.

Worked examples

Example 1 — a first encounter with Whitechapel Gallery

Start with the simplest possible case. Write down what Whitechapel Gallery claims or describes in one sentence, then invent the smallest concrete situation in which that sentence is true. In engineering, the smallest case is usually a single object, a single equation or a single measurement. Check that every symbol or term in your sentence has a meaning in that case.

Example 2 — changing one variable

Take the situation from Example 1 and change exactly one quantity: double it, halve it, or set it to zero. Predict what should happen to Whitechapel Gallery before you calculate. Comparing your prediction with the result is the fastest way to find out whether you understand the idea or only the words.

Example 3 — an exam-style question

Typical questions about Whitechapel Gallery ask you to (a) state it precisely, (b) apply it to given data, and (c) explain a limitation. Practise writing all three answers in under five minutes; the third part is what separates a full-mark answer from an average one.

Applications of Whitechapel Gallery

In research
Whitechapel Gallery appears in engineering research whenever the underlying quantities have to be modelled precisely. Papers usually cite it as a starting assumption and then explore where it breaks down.
In technology and industry
Engineering practice reuses Whitechapel Gallery in design rules, simulations and safety margins. Knowing the idea lets you read a specification sheet and understand why the numbers look the way they do.
In the classroom
Whitechapel Gallery is common in secondary-school and first-year university syllabi. It links to neighbouring topics 1901 establishments in England, Art Nouveau architecture in London, Art Nouveau museum buildings, so understanding it makes those chapters shorter.
In everyday life
Look for Whitechapel Gallery outside the textbook — in sport, cooking, traffic, electronics or the sky above you. An example you found yourself is remembered far longer than one you were given.
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How to study Whitechapel Gallery in 20 minutes

  1. Read the reference excerpt below once, without taking notes.
  2. Close the page and write down what Whitechapel Gallery means in your own words.
  3. Compare your version with the excerpt and mark what you missed.
  4. Work through the three examples above with pen and paper.
  5. Explain Whitechapel Gallery out loud to somebody else — or to Teacher Smith in the lgStudy chat.

Frequently asked questions

What is Whitechapel Gallery in simple terms?

The Whitechapel Gallery is a public art gallery in Whitechapel on the north side of Whitechapel High Street, in the London Borough of Tower Hamlets. The original building, designed by Charles Harrison Townsend, opened in 1901 as one of the first publicly funded galleries for temporary exhibitions i…

Why does Whitechapel Gallery matter?

Because it connects several engineering ideas at once: it gives you a definition you can apply, a quantity you can calculate, and a way to check whether a result is plausible.

How should I study Whitechapel Gallery?

Read the excerpt, restate it from memory, then work through the examples and applications listed on this page. The five-step study plan above takes about twenty minutes.

What does this page cover?

It gives you a compact reference excerpt plus original lgStudy explanations, examples, applications and study material on Whitechapel Gallery.

Tags

  • 1901 establishments in England
  • Art Nouveau architecture in London
  • Art Nouveau museum buildings
  • Art museums and galleries established in 1901
  • Buildings and structures completed in 1901
  • Contemporary art galleries in London
  • Education in the London Borough of Tower Hamlets
  • Edwardian architecture in London
  • History of the London Borough of Tower Hamlets
  • Museums in the London Borough of Tower Hamlets
  • Whitechapel

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