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Wildcat (musical)

Wildcat (musical) is a science topic covered in the lgStudy science library. This page brings together a partial reference excerpt, illustrations, worked examples, real-world applications and a short study plan, so you can understand Wildcat (musical) rather than just read about it. In short: Wildcat is a musical with a book by N. Richard Nash, lyrics by Carolyn Leigh, and music by Cy Coleman.

Wildcat (musical) — main illustration
Wildcat (musical) — illustration

Key takeaways

  • Wildcat (musical) belongs to science; place it in that map before memorising details.
  • Learn the definition first, then one example that makes the definition concrete.
  • Connect Wildcat (musical) to a quantity you can measure, compute or draw — that is where exam questions come from.
  • Reproduce the core statement of Wildcat (musical) from memory before moving on to harder problems.

Reference excerpt

Wildcat is a musical with a book by N. Richard Nash, lyrics by Carolyn Leigh, and music by Cy Coleman. The original production opened on Broadway in 1960, starring a 49-year-old Lucille Ball in her only Broadway show. The show introduced the song "Hey, Look Me Over", which was subsequently performed as a cover version by several musicians. An original cast album was issued by RCA Victor.

Background and production Nash had envisioned the main character of Wildy as a woman in her late 20s, and was forced to rewrite the role when Lucille Ball expressed interest not only in playing it but financing the project as well. Desilu, the company owned by Ball and her soon-to-be ex-husband Desi Arnaz, ultimately invested $360,000 in the show in exchange for 36% of the net profits, the rights to the original cast recording (ultimately released by RCA Victor), and television rights for musical numbers to be included in a special titled Lucy Goes to Broadway, a project that eventually was scrapped. Ball also was permitted to choose her leading man. Kirk Douglas's salary demands and heavy film schedule eliminated him from the running, and Gordon MacRae, Jock Mahoney, and Gene Barry were considered before she selected Keith Andes. Michael Kidd, who co-produced with Nash, directed and choreographed, and he got songwriters Coleman and Leigh on board. It was Leigh's second Broadway production (following 1954's Peter Pan with Mary Martin) and Coleman's Broadway debut. The Philadelphia tryout opened on October 29, 1960, to a glowing review from Variety, but local critics were less enthusiastic. The scheduled Broadway opening had to be postponed when trucks hauling the sets and costumes to New York were stranded on the New Jersey Turnpike for several days by a major blizzard. After two previews, the show opened on December 16 at the Alvin Theatre. The cast included Paula Stewart and Swen Swenson, with Valerie Harper among the chorus members. Vivian Vance, Ball's costar from I Love Lucy, was in the opening night audience and was photographed giving the star a congratulatory hug backstage after the show. Hampered by lukewarm reviews and Ball's lingering illness, it ran for only 171 performances. Ball quickly realized audiences had come expecting to see her Lucy Ricardo persona and began mugging and ad-libbing to bring her characterization closer to that of the zany housewife she had portrayed in I Love Lucy. It was clearly Ball who was drawing the crowds, and when she fell ill and demands for refunds ran high, the producers announced plans to close the show for a week in late March 1961 to allow her to recover her strength. The closure came sooner than planned when Ball, suffering from a virus and chronic fatigue, departed for Florida on February 8. She returned two weeks later, but on April 22 she collapsed on stage. It was decided the show would close for nine weeks at the end of May and reopen once its star had recovered fully, but May 24 proved to be her final performance as the musicians' union insisted on members of the orchestra being paid during the shutdowns. This ultimately made it infeasible for the production to remain active, forcing it to close permanently on June 3, 1961. Wildcat was Ball's only appearance in a Broadway production. She previously had been cast in the Bartlett Cormack play Hey Diddle Diddle, a comedy that premiered in Princeton, New Jersey on January 21, 1937. Ball played the part of Julie Tucker, "one of three roommates coping with neurotic directors, confused executives, and grasping stars who interfere with the girls' ability to get ahead." The play received good reviews, but there were problems, chiefly with its star Conway Tearle; the play was scheduled to open on Broadway at the Vanderbilt Theatre, but closed after one week in Washington, D.C., when Tearle suddenly became gravely ill. The Australian production of Wildcat starring Toni Lamond opened at Princess Theatre, Melbourne on July 19, 1963. The production employed British actor Gordon Boyd and Canadian actress Norah Halliday to play Joe Dynamite and Janie, respectively, among a cast of 82 performers. The Australian production reinstated the cut song "Ain't It Sad, Ain't It Mean" as a duet for Wildcat and Sookie. The show closed September 14, 1963.

Plot Wildcat "Wildy" Jackson arrives in 1912 in Centavo City with dreams of striking oil but with neither capital nor know-how to help her accomplish her goal. Joe Dynamite, the most successful crew foreman in the territory, finds her ruggedness appealing and agrees to work with her if she can prove ownership to her claimed land and hire a crew. She finds 10 acres (40,000 m2) owned by a hermit prospector, but Joe is certain the property is dry. Wildy attempts to lure him with her female charms, but when he still rejects her plans she has him falsely arrested, then released into her custody. A grateful Joe agrees to start work on the project but abandons it once he discovers it was Wildy who had him jailed. Left high and literally dry by her partner and crew, Wildy resorts to desperate measures to strike a Texas-sized gusher.

Songs

Cast

Wildcat Jackson—Lucille Ball Jane Jackson—Paula Stewart Sheriff Sam Gore—Howard Fischer Barney—Ken Ayers Luke—Anthony Saverino Countess Emily O'Brien—Edith King Joe Dynamite—Keith Andes Hank—Clifford David Miguel—HF Green Sookie—Don Tomkins Matt—Charles Braswell Corky—Bill Linton Oney—Swen Swenson Sandy—Ray Mason Tattoo—Bill Walker Cisco—Al Lanti Postman—Bill Richards Inez—Marsha Wagner Blonde—Wendy Nickerson

References

Bibliography Brady, Kathleen. "Lucille the Life of Lucille Ball" (2011) Open Road Integrated Media, ISBN 9781504023719 Sanders, Coyne Steven and Gilbert, Tom. Desilu: The Story of Lucille Ball and Desi Arnaz (2003), William Morrow and Company, ISBN 0-688-13514-5, pp. 202–220

External links ​Wildcat​ at the Internet Broadway Database ​Wildcat​ at the Playbill Vault Plot and production information at guidetomusicaltheatre

Illustrations

Wildcat (musical): Lucille Ball and Paula Stewart singing "Hey, Look Me Over" on The Ed Sullivan Show, February 19, 1961
Lucille Ball and Paula Stewart singing "Hey, Look Me Over" on The Ed Sullivan Show, February 19, 1961

Worked examples

Example 1 — a first encounter with Wildcat (musical)

Start with the simplest possible case. Write down what Wildcat (musical) claims or describes in one sentence, then invent the smallest concrete situation in which that sentence is true. In science, the smallest case is usually a single object, a single equation or a single measurement. Check that every symbol or term in your sentence has a meaning in that case.

Example 2 — changing one variable

Take the situation from Example 1 and change exactly one quantity: double it, halve it, or set it to zero. Predict what should happen to Wildcat (musical) before you calculate. Comparing your prediction with the result is the fastest way to find out whether you understand the idea or only the words.

Example 3 — an exam-style question

Typical questions about Wildcat (musical) ask you to (a) state it precisely, (b) apply it to given data, and (c) explain a limitation. Practise writing all three answers in under five minutes; the third part is what separates a full-mark answer from an average one.

Applications of Wildcat (musical)

In research
Wildcat (musical) appears in science research whenever the underlying quantities have to be modelled precisely. Papers usually cite it as a starting assumption and then explore where it breaks down.
In technology and industry
Engineering practice reuses Wildcat (musical) in design rules, simulations and safety margins. Knowing the idea lets you read a specification sheet and understand why the numbers look the way they do.
In the classroom
Wildcat (musical) is common in secondary-school and first-year university syllabi. It links to neighbouring topics 1960 musicals, Broadway musicals, Musicals by Cy Coleman, so understanding it makes those chapters shorter.
In everyday life
Look for Wildcat (musical) outside the textbook — in sport, cooking, traffic, electronics or the sky above you. An example you found yourself is remembered far longer than one you were given.
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How to study Wildcat (musical) in 20 minutes

  1. Read the reference excerpt below once, without taking notes.
  2. Close the page and write down what Wildcat (musical) means in your own words.
  3. Compare your version with the excerpt and mark what you missed.
  4. Work through the three examples above with pen and paper.
  5. Explain Wildcat (musical) out loud to somebody else — or to Teacher Smith in the lgStudy chat.

Frequently asked questions

What is Wildcat (musical) in simple terms?

Wildcat is a musical with a book by N. Richard Nash, lyrics by Carolyn Leigh, and music by Cy Coleman.

Why does Wildcat (musical) matter?

Because it connects several science ideas at once: it gives you a definition you can apply, a quantity you can calculate, and a way to check whether a result is plausible.

How should I study Wildcat (musical)?

Read the excerpt, restate it from memory, then work through the examples and applications listed on this page. The five-step study plan above takes about twenty minutes.

What does this page cover?

It gives you a compact reference excerpt plus original lgStudy explanations, examples, applications and study material on Wildcat (musical).

Tags

  • 1960 musicals
  • Broadway musicals
  • Musicals by Cy Coleman
  • Musicals set in the 1910s
  • Musicals set in the United States
  • Original musicals
  • Works about petroleum
  • Works by N. Richard Nash

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