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Wolfstein, the Murderer

Wolfstein, the Murderer is a science topic covered in the lgStudy science library. This page brings together a partial reference excerpt, illustrations, worked examples, real-world applications and a short study plan, so you can understand Wolfstein, the Murderer rather than just read about it. In short: Wolfstein, the Murderer; or, The Secrets of a Robber's Cave is an 1850 chapbook based on Percy Bysshe Shelley’s 1811 Gothic horror novel St. Irvyne; or, The Rosicrucian.

Wolfstein, the Murderer — main illustration
Wolfstein, the Murderer — illustration

Key takeaways

  • Wolfstein, the Murderer belongs to science; place it in that map before memorising details.
  • Learn the definition first, then one example that makes the definition concrete.
  • Connect Wolfstein, the Murderer to a quantity you can measure, compute or draw — that is where exam questions come from.
  • Reproduce the core statement of Wolfstein, the Murderer from memory before moving on to harder problems.

Reference excerpt

Wolfstein, the Murderer; or, The Secrets of a Robber's Cave is an 1850 chapbook based on Percy Bysshe Shelley’s 1811 Gothic horror novel St. Irvyne; or, The Rosicrucian.

Background The 1811 novel St. Irvyne, or, The Rosicrucian was republished by John Joseph Stockdale in 1822 following Shelley’s death. Two chapbooks were also published based on the novel. No publication date appeared on the title page. The first chapbook version was entitled Wolfstein; or, The Mysterious Bandit and was published and printed by John Bailey at 116, Chancery Lane in London in 1822. The chapbook was a condensed version of the novel in 20 pages. The total length was 28 pages including the second story. Chapbooks were meant for popular consumption, serving the same function as a paperback would. The chapbook sold for sixpence. Another more condensed twelve-page chapbook was published in 1850 by Thomas Redriffe in London entitled Wolfstein, the Murderer; or, The Secrets of a Robber's Cave: A Terrific Romance. To which is Added, The Two Serpents, an Oriental Apologue. The Ossian epigraph appeared on the title page: "A tale of horror, of murder, and of deeds done in darkness." Printed for Thomas Redriffe, Piccadilly. The price was "Two Pence". Printed by William Bethell, 10, Marshall-street, Liverpool. No date of publication appeared on the title page. The story was six pages long, pages three through eight. The second story was four pages long, pages nine through twelve. The frontispiece consisted of a drawing of Wolfstein confronted by a skeleton struck by lightning. He stands over the corpse of Serena. The drawing is a more condensed version of the 1822 frontispiece. The caption reads: "Deeper grew the gloom of the cavern, and darkness seemed to press around him. Suddenly a flash of lightning burst through the cavern, followed by thunder that appeared to convulse the universal fabric of nature; and borne on the sulphurous blast, the Prince of Terrors stood before him."

Plot summary The chapbook follows the plot of the first section of the novel St. Irvyne on the bandits but omits the second part featuring Frederic Nempere in Geneva. The account is radically condensed. The name of Cavigni, leader of the bandits, is changed to Stiletto. The name of Megalena is changed to Serena. The character of Ginotti, the Rosicrucian alchemist, does not appear. The opening scene is of a raging thunderstorm. Wolfstein is a wanderer in the Swiss Alps who seeks cover from the storm. He is a distraught outcast who plans to commit suicide. A group of monks carrying a body for burial in a torch-light procession runs into him and saves his life. Bandits then attack them. Wolfstein is accepted as a member of the bandits. He becomes used to a life of crime. But a rivalry develops between him and Stilleto over Serena. He decides to poison the chief by secretly placing a white powder in his wine. Stiletto drinks the poison and dies. Wolfstein is subsequently elected Captain by the other bandits after the murder of Stiletto. He then is racked by dreams of the murdered Cavigni which fill him with dread and foreboding. Days after the murder, Wolfstein seeks to seduce Serena. He observes her in prayer. She refuses his advances and pulls out a dagger. In response, Wolfstein unsheaths his sword and stabs her to death. Thunder was heard in the cell. The Prince of Terror then appeared before him. A “strange and unnatural stench” infused the room as “the yawning gulf of hell” swallowed Wolfstein as blue flames swirled around his body. The final paragraph concludes with a moral of the story. Plunging into despair and indulging in crime are not the ways to confront misfortune. The tenets of morality and truth should be diligently followed. Only “misery, disgrace and ruin” result when these principles are ignored.

References

Sources Behrendt, Stephen C. Edited by, with Introduction, and notes. Zastrozzi and St. Irvyne. Peterborough, ON, Canada: Broadview Press, 2002. Behrendt gives a publication date between 1815 and 1818. Block, Andrew. The English Novel, 1740-1850: A Catalogue Including Prose Romances, Short Stories, and Translations of Foreign Fiction. London: Grafton, 1939, p. 266. Block gives a publication date of 1820. O’Neill, Michael, and Anthony Howe, edited by, with the assistance of Madeleine Callahan. The Oxford Handbook of Percy Bysshe Shelley. Oxford, UK: Oxford University Press, 2013, p. 199. Summers, Montague. A Gothic Bibliography. London: The Fortune Press, 1940, p. 561. A publication date of circa 1800 is given. Tichelaar, Tyler R. The Gothic Wanderer: From Transgression to Redemption. Gothic Literature from 1794 --- present. Ann Arbor, MI: Modern History Press, 2012, "Rosicrucian Elements in Frankenstein," p. 131.

Illustrations

Wolfstein, the Murderer: Title page. London: Thomas Redriffe. 1850.
Title page. London: Thomas Redriffe. 1850.
Wolfstein, the Murderer: Frontispiece. Wolfstein, Serena, and the Prince of Terror.
Frontispiece. Wolfstein, Serena, and the Prince of Terror.

Worked examples

Example 1 — a first encounter with Wolfstein, the Murderer

Start with the simplest possible case. Write down what Wolfstein, the Murderer claims or describes in one sentence, then invent the smallest concrete situation in which that sentence is true. In science, the smallest case is usually a single object, a single equation or a single measurement. Check that every symbol or term in your sentence has a meaning in that case.

Example 2 — changing one variable

Take the situation from Example 1 and change exactly one quantity: double it, halve it, or set it to zero. Predict what should happen to Wolfstein, the Murderer before you calculate. Comparing your prediction with the result is the fastest way to find out whether you understand the idea or only the words.

Example 3 — an exam-style question

Typical questions about Wolfstein, the Murderer ask you to (a) state it precisely, (b) apply it to given data, and (c) explain a limitation. Practise writing all three answers in under five minutes; the third part is what separates a full-mark answer from an average one.

Applications of Wolfstein, the Murderer

In research
Wolfstein, the Murderer appears in science research whenever the underlying quantities have to be modelled precisely. Papers usually cite it as a starting assumption and then explore where it breaks down.
In technology and industry
Engineering practice reuses Wolfstein, the Murderer in design rules, simulations and safety margins. Knowing the idea lets you read a specification sheet and understand why the numbers look the way they do.
In the classroom
Wolfstein, the Murderer is common in secondary-school and first-year university syllabi. It links to neighbouring topics 1810s English-language novels, 1811 British novels, 1820s English-language novels, so understanding it makes those chapters shorter.
In everyday life
Look for Wolfstein, the Murderer outside the textbook — in sport, cooking, traffic, electronics or the sky above you. An example you found yourself is remembered far longer than one you were given.
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How to study Wolfstein, the Murderer in 20 minutes

  1. Read the reference excerpt below once, without taking notes.
  2. Close the page and write down what Wolfstein, the Murderer means in your own words.
  3. Compare your version with the excerpt and mark what you missed.
  4. Work through the three examples above with pen and paper.
  5. Explain Wolfstein, the Murderer out loud to somebody else — or to Teacher Smith in the lgStudy chat.

Frequently asked questions

What is Wolfstein, the Murderer in simple terms?

Wolfstein, the Murderer; or, The Secrets of a Robber's Cave is an 1850 chapbook based on Percy Bysshe Shelley’s 1811 Gothic horror novel St. Irvyne; or, The Rosicrucian.

Why does Wolfstein, the Murderer matter?

Because it connects several science ideas at once: it gives you a definition you can apply, a quantity you can calculate, and a way to check whether a result is plausible.

How should I study Wolfstein, the Murderer?

Read the excerpt, restate it from memory, then work through the examples and applications listed on this page. The five-step study plan above takes about twenty minutes.

What does this page cover?

It gives you a compact reference excerpt plus original lgStudy explanations, examples, applications and study material on Wolfstein, the Murderer.

Tags

  • 1810s English-language novels
  • 1811 British novels
  • 1820s English-language novels
  • 1822 British novels
  • 19th-century novellas
  • British Gothic novels
  • British horror novels
  • British novellas
  • Chapbooks
  • Fiction about immortality
  • Natural philosophy
  • Novels about alchemy

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