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Zibellino

Zibellino is a science topic covered in the lgStudy science library. This page brings together a partial reference excerpt, illustrations, worked examples, real-world applications and a short study plan, so you can understand Zibellino rather than just read about it. In short: A zibellino, flea-fur or fur tippet is a women's fashion accessory popular in the later 15th and 16th centuries. A zibellino, from the Italian word for "sable", is the pelt of a sable or marten worn draped at the neck or hanging at the waist, or carried in the hand.

Zibellino — main illustration
Zibellino — illustration

Key takeaways

  • Zibellino belongs to science; place it in that map before memorising details.
  • Learn the definition first, then one example that makes the definition concrete.
  • Connect Zibellino to a quantity you can measure, compute or draw — that is where exam questions come from.
  • Reproduce the core statement of Zibellino from memory before moving on to harder problems.

Reference excerpt

A zibellino, flea-fur or fur tippet is a women's fashion accessory popular in the later 15th and 16th centuries. A zibellino, from the Italian word for "sable", is the pelt of a sable or marten worn draped at the neck or hanging at the waist, or carried in the hand. The plural is zibellini. Some zibellini were fitted with faces and paws of goldsmith's work with jeweled eyes and pearl earrings, while unadorned furs were also fashionable.

History

The earliest surviving mention of a marten pelt to be worn as neck ornament occurs in an inventory of Charles the Bold, Duke of Burgundy, dated 1467, but the fashion was widespread in Northern Italy by the 1490s. Eleonora de Toledo owned at least four; the weasel was an early modern talisman for fertility and Eleonora was applauded as La Fecondissima ("most fertile") for the number of her children. Eleonora's daughter Isabella de' Medici appears with a zibellino in a portrait by a member of Bronzino's studio painted at the time of her marriage in 1558 to Paolo Giordano Orsini. The style spread to the north and west. The traditional costume historian's term for this accessory, flea-fur, is from the German Flohpelz, coined by Wendelin Boeheim in 1894, who was the first to suggest that the furs were intended to attract fleas away from the body of the wearer. There is no historical evidence to support this claim. Italians simply called these accessories "zibellini", their word for sables and speakers of other languages called them "martens", "sables" or "ermines" in their native tongues. The fashion for carrying zibellini died out in the first years of the 17th century, although fox, mink and other pelts were worn in similar fashion in the 19th and 20th century.

England and Scotland The jewelled gold heads and feet of zibellini were detailed in several royal inventories. The Edinburgh goldsmith John Mosman made a marten's head and feet from Scottish gold for Mary of Guise in December 1539. Her daughter, Mary, Queen of Scots, brought fur pieces on her return to Scotland from France in 1561; one of her zibellini had a head of jet, and one of rock crystal. Mary had zibellini of marten, sable, and ermine fur. In 1580, Mary, Queen of Scots, wrote to France for a marten fur and a gold marten's head set with precious stones for a christening gift for Gilbert Talbot's daughter Mary. In England, when Lady Jane Grey was at the Tower of London in 1553, she had a "sable skin, with a head of gold, muffled, garnished and set with four emeralds, four turquoises, six rubies, two diamonds and five pearls; four feet of gold, each set with a turquoise, the tongue being a ruby". Another sable skin used by Jane Grey had a clock or watch attached. Both sable skins had belonged to the wives of Henry VIII. Anne Herbert, Countess of Pembroke, sister of Catherine Parr, owned a "sabelles heade" set with 21 diamonds and a ruby in its mouth. Elizabeth I of England received a "Sable Skynne the hed and fourre featte of gold fully furnished with Dyamondes and Rubyes" as a New Year's Gift from the Earl of Leicester in 1585. Frances Sidney, Countess of Sussex holds a jewelled gold marten's head and fur in her 1570s portrait at Sidney Sussex College, Cambridge. In 1578 Margaret Douglas, Countess of Lennox bequeathed a sable with a gold head set with diamonds to Arbella Stuart. In 1606, Anne of Denmark owned "a sable head of gold with a collar or muzzle enamelled, garnished with diamonds, rubies, emeralds, and sapphires, with four feet, in each foot a small stone, and a ring in the mouth with a pearl", possibly inherited from Elizabeth or Mary, Queen of Scots. Bess of Hardwick sent an ermine to the Countess of Shrewsbury in July 1607, which had been a gift to her. The Countess described the zibellino as lifelike in her thank-you letter: 'with humble thanks for your Ladyship's "fayre and wellwrought Armen", which Godwilling I will keep as a great jewel both in respect of your Ladyship and her from whom your Ladyship had it, There can be nothing wrought in metal with more life'.

Gallery

See also Tippet

Notes

References Arnold, Janet, Queen Elizabeth's Wardrobe Unlock'd, W S Maney and Son Ltd, Leeds 1988. ISBN 0-901286-20-6 Hawes, Elizabeth, Fashion is Spinach, New York, Random House, 1938 Netherton, Robin, and Gale R. Owen-Crocker, editors, Medieval Clothing and Textiles, Volume 2, Woodbridge, Suffolk, UK, and Rochester, NY, the Boydell Press, 2006, ISBN 1-84383-203-8 Payne, Blanche, History of Costume from the Ancient Egyptians to the Twentieth Century, Harper & Row, 1965. No ISBN for this edition; ASIN B0006BMNFS Scarisbrick, Diana, Tudor and Jacobean Jewellery, London, Tate Publishing, 1995, ISBN 1-85437-158-4

External links

Zibellini (aka "Flea Furs") in 16th Century Portraits Gold and jewelled marten's head from the Walters Art Museum, Baltimore The Muff in Sixteenth Century Dress, From Fleas to Fancy

Illustrations

Zibellino: Portrait attributed to William Segar, c. 1595, showing a lady holding a zibellino
Portrait attributed to William Segar, c. 1595, showing a lady holding a zibellino
Zibellino: Angelica Agliardi De Nicolinis holding an unadorned zibellino, c. 1560s
Angelica Agliardi De Nicolinis holding an unadorned zibellino, c. 1560s
Zibellino: Jewelled head for a zibellino, Italy, ca. 1550–59 (Walters Art Museum)
Jewelled head for a zibellino, Italy, ca. 1550–59 (Walters Art Museum)
Zibellino: Zibellino belonging to Anna of Austria drawn by Hans Muelich
Zibellino belonging to Anna of Austria drawn by Hans Muelich
Zibellino illustration

Worked examples

Example 1 — a first encounter with Zibellino

Start with the simplest possible case. Write down what Zibellino claims or describes in one sentence, then invent the smallest concrete situation in which that sentence is true. In science, the smallest case is usually a single object, a single equation or a single measurement. Check that every symbol or term in your sentence has a meaning in that case.

Example 2 — changing one variable

Take the situation from Example 1 and change exactly one quantity: double it, halve it, or set it to zero. Predict what should happen to Zibellino before you calculate. Comparing your prediction with the result is the fastest way to find out whether you understand the idea or only the words.

Example 3 — an exam-style question

Typical questions about Zibellino ask you to (a) state it precisely, (b) apply it to given data, and (c) explain a limitation. Practise writing all three answers in under five minutes; the third part is what separates a full-mark answer from an average one.

Applications of Zibellino

In research
Zibellino appears in science research whenever the underlying quantities have to be modelled precisely. Papers usually cite it as a starting assumption and then explore where it breaks down.
In technology and industry
Engineering practice reuses Zibellino in design rules, simulations and safety margins. Knowing the idea lets you read a specification sheet and understand why the numbers look the way they do.
In the classroom
Zibellino is common in secondary-school and first-year university syllabi. It links to neighbouring topics Fashion accessories, Fur, History of Western fashion, so understanding it makes those chapters shorter.
In everyday life
Look for Zibellino outside the textbook — in sport, cooking, traffic, electronics or the sky above you. An example you found yourself is remembered far longer than one you were given.
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How to study Zibellino in 20 minutes

  1. Read the reference excerpt below once, without taking notes.
  2. Close the page and write down what Zibellino means in your own words.
  3. Compare your version with the excerpt and mark what you missed.
  4. Work through the three examples above with pen and paper.
  5. Explain Zibellino out loud to somebody else — or to Teacher Smith in the lgStudy chat.

Frequently asked questions

What is Zibellino in simple terms?

A zibellino, flea-fur or fur tippet is a women's fashion accessory popular in the later 15th and 16th centuries. A zibellino, from the Italian word for "sable", is the pelt of a sable or marten worn draped at the neck or hanging at the waist, or carried in the hand.

Why does Zibellino matter?

Because it connects several science ideas at once: it gives you a definition you can apply, a quantity you can calculate, and a way to check whether a result is plausible.

How should I study Zibellino?

Read the excerpt, restate it from memory, then work through the examples and applications listed on this page. The five-step study plan above takes about twenty minutes.

What does this page cover?

It gives you a compact reference excerpt plus original lgStudy explanations, examples, applications and study material on Zibellino.

Tags

  • Fashion accessories
  • Fur
  • History of Western fashion

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