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Śalākāpuruṣa

Śalākāpuruṣa is a astronomy topic covered in the lgStudy science library. This page brings together a partial reference excerpt, illustrations, worked examples, real-world applications and a short study plan, so you can understand Śalākāpuruṣa rather than just read about it. In short: According to the Jain cosmology, the Śalākāpuruṣa (Sanskrit: शलाकापुरुष) "illustrious or worthy persons" are 63 illustrious beings who appear during each half-time cycle. They are also known as the triṣaṣṭiśalākāpuruṣa (63 illustrious persons).

Śalākāpuruṣa — main illustration
Śalākāpuruṣa — illustration

Key takeaways

  • Śalākāpuruṣa belongs to astronomy; place it in that map before memorising details.
  • Learn the definition first, then one example that makes the definition concrete.
  • Connect Śalākāpuruṣa to a quantity you can measure, compute or draw — that is where exam questions come from.
  • Reproduce the core statement of Śalākāpuruṣa from memory before moving on to harder problems.

Reference excerpt

According to the Jain cosmology, the Śalākāpuruṣa (Sanskrit: शलाकापुरुष) "illustrious or worthy persons" are 63 illustrious beings who appear during each half-time cycle. They are also known as the triṣaṣṭiśalākāpuruṣa (63 illustrious persons). The Jain universal or legendary history is a compilation of the deeds of these illustrious persons. Their life stories are said to be most inspiring. The śalākāpuruṣa comprise 24 Tirthankaras (Teaching Gods), twelve Chakravartin (universal monarchs, emperors of six continents), nine Balabhadras (gentle heroes), nine Narayanas (warrior heroes) and nine Prati-narayanas (anti-heroes). According to Jain cosmology, time is without beginning and eternal. The Kālacakra, the cosmic wheel of time, rotates ceaselessly. The wheel of time is divided into two half-rotations, Utsarpiṇī or ascending time cycle and Avasarpiṇī, the descending time cycle, occurring continuously after each other. Utsarpiṇī is a period of progressive prosperity and happiness where the time spans and ages are at an increasing scale while the Avasarpiṇī is a period of increasing sorrow and immorality with decline in time spans of the epochs. During each such time cycle, these 63 illustrious persons appear and establish the religion and order in society. According to Jain cosmology, since time is eternal, infinite kalacakras have elapsed and will occur in future and hence infinite sets of these 63 illustrious persons have appeared, and will appear, to establish order and religion in their respective eras.

Origin and Etymology The word salakapurusa is often translated as illustrious persons or worthy persons or mighty persons. It is derived from the Sanskrit compound of words salaka and purusa. "Purusa" means person, but "salaka" is of ambiguous etymology in this context. The primary meaning of the word salaka (Sanskrit: Śalākā, Pali: salākā, Prakrit: salāgā, salāyā) is "stick". In the Buddhist context it meant a ticket consisting of wooden sticks meant for voting or to distribute food; but in Jain context it was used to mean a stick and also a measurement and when combined with "purusa" to denote great heroes. According to 11th century Jain author, monk Acharya Hemachandra, these persons are called salaka as they have been specially marked among men. This emphasised that the names of the salakapurusas were underlined or specially significant due to their deeds. John Cort also quotes another author, S. D. Parekh, who emphasises the root meaning of voting sticks and concludes that a salakapurusa is a great person, as his greatness has been accepted by general public. Certain Śvētāmbara texts use the word Baladeva, Vāsudeva and Prativasudeva to refer Balabhadra, Narayana and Pratinarayana respectively. A 1975 treatise, detailing Mahavira's life and doctrine seems to imply the voting-etymology of the word, i.e. they are called salakapurusa, because they are men-that-count. The tradition of salakapurusas or Jain universal history started with the biographies of the Tirthankaras. Kalpasutra gives the names and brief biographies of only tirthankaras. It does not use the word salakapurusas or mention them by name, but does say that the categories of Arihants, Chakravartins, Balabhadras and Vasudevas are always born in royal families, thus foreshadowing 54 of the 63 salakapurusas. Furthermore, Jaini traces the origin of list of Baladeva and Vasudeva to the Jinacharitra (lives of the Jinas) by Bhadrabahu (3–4th century BCE). A notable hagiography of these individuals is Hemachandra's Triṣaṣṭiśalākāpuruṣacaritra. The following Jain texts chronicle the deeds of the salakapurusas:

Digambara texts Satkhandagama (1st century) – This gives a description of Jain universal history in a rudimentary form. Tiloya Panatti by Yativṛṣabha (7th century) – This text gives descriptions of other Jain heroes i.e. 9 Naradas, 11 Rudras and 24 Kamadevas, but specifically states that there are only 63 salakapurusas. Adipurana by Acharya Jinasena and Gunabhadra (9th century) – This text is also known as Trisastilaksanamahapurana (The great purana describing 63 great heroes). By this time the number of heroes had come to be fixed at 63. Harivamsa Purana composed by Acharya Jinasena.

Śvētāmbara texts Kalpasutra – Devoted mainly to stories of Rishabhanatha, Neminatha, Parshvanatha and Mahavira. It names other tirthankaras and also mentions the categories of Chakravartins, Baldeva and Vasudeva without giving individual names. Samavayanga Sutra – This text gives description of sixty-three and fifty-four salakapurusas in different places. Paumacarya' by Vimalsuri (2nd century) – This is the Jain version of Ramayana. The story of Rama the eighth Baladeva is narrated within the context of 63 salakapurusas. The later texts were influenced by Paumacarya. Cauppanamahapurisacariya by Silanka (9th century) – This narrates the deeds of fifty-four great heroes. Trisastisalakapurusacaritra by Hemacandra (11th century) – The deeds of 63 illustrious persons, and one of the most popular text of Jain universal history. Kahavali by Bhadresvara (13th century) — This text raised the number of salakapurusa to 72 by adding 9 Naradas. All traditions of Jainism now agree to the figure of 63 salakapurusas. However, the number of persons is 60 as three persons (Shantinath, Kunthunath and Aranath) were Chakravartins who later on became Tirthankaras.

Tirthankaras Tīrthankaras (also known as Jinas) are Arhatas who are teachers and revivers of the Jain philosophy. There are 24 Tīrthankaras in each half time cycle; Mahāvīra was the 24th and last Tīrthankara of the current descending time cycle and Rishabhanatha was the first Tirthankara. Tīrthankaras are literally "the ford makers", who have shown the way to cross the ocean of rebirth and transmigration and hence have become a focus of reverence and worship amongst Jains. The Tirthankara provides all creatures with the means to liberate the soul from the confines of the body and to rise towards bliss, enlightenment and release from the eternal cycle of rebirth. He advocates continence, truth, non-violence, simplicity and purity for those who seek liberation. Tīrthankaras ultimately become Siddhas on liberation.

The twenty four Tīrthankaras of this descending time cycle are:

… excerpt ends here. Continue reading the full article.

Illustrations

Śalākāpuruṣa: Mahavira was the last Tirthankara and Salakapurusa of this descending time cycle as per the Jain Universal History
Mahavira was the last Tirthankara and Salakapurusa of this descending time cycle as per the Jain Universal History
Śalākāpuruṣa: 14 Ratna (jewels) of Chankravartin. Miniature from the 17th century, Saṁgrahaṇīratna by Śrīcandra, in Prakrit with a Gujarati commentary. Jain Śvetāmbara cosmological text with commentary and illustrations.
14 Ratna (jewels) of Chankravartin. Miniature from the 17th century, Saṁgrahaṇīratna by Śrīcandra, in Prakrit with a Gujarati commentary. Jain Śvetāmbara cosmological text with commentary and illustrations.
Śalākāpuruṣa: Lord Shantinatha, the sixteenth Jain Tirthankara was also a Chakravarti
Lord Shantinatha, the sixteenth Jain Tirthankara was also a Chakravarti
Śalākāpuruṣa: Weapons and symbols of Vasudeva or Narayana. Miniature from the 17th century, Saṁgrahaṇīratna by Śrīcandra, in Prakrit with a Gujarati commentary. Jain Śvetāmbara cosmological text with commentary and illustrations.
Weapons and symbols of Vasudeva or Narayana. Miniature from the 17th century, Saṁgrahaṇīratna by Śrīcandra, in Prakrit with a Gujarati commentary. Jain Śvetāmbara cosmological text with commentary and illustrations.
Śalākāpuruṣa: Rama and Lakshmana are the eighth set of Baladeva and Vasudeva according to the Jain universal history
Rama and Lakshmana are the eighth set of Baladeva and Vasudeva according to the Jain universal history

Worked examples

Example 1 — a first encounter with Śalākāpuruṣa

Start with the simplest possible case. Write down what Śalākāpuruṣa claims or describes in one sentence, then invent the smallest concrete situation in which that sentence is true. In astronomy, the smallest case is usually a single object, a single equation or a single measurement. Check that every symbol or term in your sentence has a meaning in that case.

Example 2 — changing one variable

Take the situation from Example 1 and change exactly one quantity: double it, halve it, or set it to zero. Predict what should happen to Śalākāpuruṣa before you calculate. Comparing your prediction with the result is the fastest way to find out whether you understand the idea or only the words.

Example 3 — an exam-style question

Typical questions about Śalākāpuruṣa ask you to (a) state it precisely, (b) apply it to given data, and (c) explain a limitation. Practise writing all three answers in under five minutes; the third part is what separates a full-mark answer from an average one.

Applications of Śalākāpuruṣa

In research
Śalākāpuruṣa appears in astronomy research whenever the underlying quantities have to be modelled precisely. Papers usually cite it as a starting assumption and then explore where it breaks down.
In technology and industry
Engineering practice reuses Śalākāpuruṣa in design rules, simulations and safety margins. Knowing the idea lets you read a specification sheet and understand why the numbers look the way they do.
In the classroom
Śalākāpuruṣa is common in secondary-school and first-year university syllabi. It links to neighbouring topics History of Jainism, Jain cosmology, Salakapurusa, so understanding it makes those chapters shorter.
In everyday life
Look for Śalākāpuruṣa outside the textbook — in sport, cooking, traffic, electronics or the sky above you. An example you found yourself is remembered far longer than one you were given.
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How to study Śalākāpuruṣa in 20 minutes

  1. Read the reference excerpt below once, without taking notes.
  2. Close the page and write down what Śalākāpuruṣa means in your own words.
  3. Compare your version with the excerpt and mark what you missed.
  4. Work through the three examples above with pen and paper.
  5. Explain Śalākāpuruṣa out loud to somebody else — or to Teacher Smith in the lgStudy chat.

Frequently asked questions

What is Śalākāpuruṣa in simple terms?

According to the Jain cosmology, the Śalākāpuruṣa (Sanskrit: शलाकापुरुष) "illustrious or worthy persons" are 63 illustrious beings who appear during each half-time cycle. They are also known as the triṣaṣṭiśalākāpuruṣa (63 illustrious persons).

Why does Śalākāpuruṣa matter?

Because it connects several astronomy ideas at once: it gives you a definition you can apply, a quantity you can calculate, and a way to check whether a result is plausible.

How should I study Śalākāpuruṣa?

Read the excerpt, restate it from memory, then work through the examples and applications listed on this page. The five-step study plan above takes about twenty minutes.

What does this page cover?

It gives you a compact reference excerpt plus original lgStudy explanations, examples, applications and study material on Śalākāpuruṣa.

Tags

  • History of Jainism
  • Jain cosmology
  • Salakapurusa

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